Tara Rodgers. 2010. Pink Noises: Women on Electronic Music and Sound. Durham and London: Duke University Press.

While the book's interview format does not always adequately convey the necessary context, its contribution remains significant. Rodgers addresses an unusually expansive range of topics with facility and respect to her interlocutors. Most importantly, her commitment to representing women from a variety of cultural, educational, and musical backgrounds who work in numerous genres shows both Rodgers's depth of musical knowledge and her strong commitment to feminism. Through these interviews, Rodgers makes a convincing case for reconsidering the representation of women as a central part of the history of electronic music