The L'Oiseau-Lyre series largely excludes incomplete pieces; the number of complete motets, especially from the late fourteenth century, is still very small. Any addition to their number deserves comment; license for the extent of the present essay must lie in the cleverness with which its subject has been fashioned. o amicus / Precursoris qualifies as a motet by even the most rigorous of French standards, with its duply proportioned tenor diminution, two different texts, and chant tenor. In addition, it undertakes many further subtleties, including an early, or even the earliest, combination of canon with isorhythm, canon on a plainsong, canon at the fifth, and mensuration canon. It occupies the center of a bifolium that now serves as the ...
The discussion of citation and allusion has become an important area of research in Medieval Studies...
The Florilegium Portense encompasses three anthology publications in Leipzig by Erhard Bodenschatz f...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
The present article seeks to further recent discussion of the diversity of the motet in the long thi...
The present article demonstrates the complexity of musico-textual relationships in Ave miles celesti...
International audienceThis article investigates a corpus of sixteen thirteenth-century motets whose ...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
This dissertation consists of a study and transcription of two motets, O mysterium venerabile and Sa...
In this paper, I explore the relationships between the motets of the IOHANNE tenor family found in t...
In addressing questions of compositional process, scholars of medieval polyphony have relatively lit...
This study focuses primarily on nine polyphonic ars nova motets contained within the early fourteent...
The goal of my dissertation research is to uncover a tertium quid between two inadequate modern posi...
Interactions between polyphonic motets and monophonic trouvère song in the long thirteenth century h...
This thesis examines the ways musical material are borrowed and re-used in early thirteenth century ...
Questions of authorship are central to the late thirteenth-century motet repertoire represented by t...
The discussion of citation and allusion has become an important area of research in Medieval Studies...
The Florilegium Portense encompasses three anthology publications in Leipzig by Erhard Bodenschatz f...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
The present article seeks to further recent discussion of the diversity of the motet in the long thi...
The present article demonstrates the complexity of musico-textual relationships in Ave miles celesti...
International audienceThis article investigates a corpus of sixteen thirteenth-century motets whose ...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...
This dissertation consists of a study and transcription of two motets, O mysterium venerabile and Sa...
In this paper, I explore the relationships between the motets of the IOHANNE tenor family found in t...
In addressing questions of compositional process, scholars of medieval polyphony have relatively lit...
This study focuses primarily on nine polyphonic ars nova motets contained within the early fourteent...
The goal of my dissertation research is to uncover a tertium quid between two inadequate modern posi...
Interactions between polyphonic motets and monophonic trouvère song in the long thirteenth century h...
This thesis examines the ways musical material are borrowed and re-used in early thirteenth century ...
Questions of authorship are central to the late thirteenth-century motet repertoire represented by t...
The discussion of citation and allusion has become an important area of research in Medieval Studies...
The Florilegium Portense encompasses three anthology publications in Leipzig by Erhard Bodenschatz f...
The history of polyphonic music in late medieval England is difficult to reconstruct on account of t...