Singing Early Music is designed primarily as a practical handbook for performers based on sound linguistic scholarship. It offers important advice to singers and choral conductors, and it is of interest to musicologists and literary scholars as well. Much of the information presented was not easily accessible to performers prior to the book's publication, and this information has been gathered and presented in a clear, concise, interesting, and, above all, convenient fashion. This is an eminently useful book, but it needs to be used with discretion
ABSTRACT OF THE DISSERTATIONAn Introductions to the Art of Singing Italian Baroque Opera:A Brief His...
The volume under review is the latest entry in a slowly unfolding series, entitled Fifteenth-Century...
Although considerable attention has been paid to the texting practices of specific composers and cer...
RILM: Particular pronunciations or dialects are important factors in the creation and execution of ...
This study explores the effects of editorial procedures on performances of Renaissance Music, using ...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Although Latin is the most commonly used language in the sacred choral music of Europe and the Unite...
Lawrence E. Tagg, M. Mus., is Associate Professor of Music; Member of the Dayton Philharmonic Orches...
Choral music affords conductors the opportunity to interpret both music and text. While this marriag...
Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power. Epp, Maureen...
This project is an outgrowth of a larger project that involves the eventual compilation of a series ...
The early music revival of the late twentieth century revolutionized music with the birth of histor...
The phrase ‘historically-informed’ is a badge (usually self-awarded) worn by many musicians who perf...
The language-learning texts of the early modern period were intimately concerned with questions of o...
peer-reviewedA 1984 performance of Sicut Cervus by Palestrina raised in this writer’s mind question...
ABSTRACT OF THE DISSERTATIONAn Introductions to the Art of Singing Italian Baroque Opera:A Brief His...
The volume under review is the latest entry in a slowly unfolding series, entitled Fifteenth-Century...
Although considerable attention has been paid to the texting practices of specific composers and cer...
RILM: Particular pronunciations or dialects are important factors in the creation and execution of ...
This study explores the effects of editorial procedures on performances of Renaissance Music, using ...
Description of the Cambridge Encyclopedia of Historical Performance in Music: Recent decades have se...
Although Latin is the most commonly used language in the sacred choral music of Europe and the Unite...
Lawrence E. Tagg, M. Mus., is Associate Professor of Music; Member of the Dayton Philharmonic Orches...
Choral music affords conductors the opportunity to interpret both music and text. While this marriag...
Roland Jackson discusses and critiques the 2009 work of Maureen Epp and Brian E. Power. Epp, Maureen...
This project is an outgrowth of a larger project that involves the eventual compilation of a series ...
The early music revival of the late twentieth century revolutionized music with the birth of histor...
The phrase ‘historically-informed’ is a badge (usually self-awarded) worn by many musicians who perf...
The language-learning texts of the early modern period were intimately concerned with questions of o...
peer-reviewedA 1984 performance of Sicut Cervus by Palestrina raised in this writer’s mind question...
ABSTRACT OF THE DISSERTATIONAn Introductions to the Art of Singing Italian Baroque Opera:A Brief His...
The volume under review is the latest entry in a slowly unfolding series, entitled Fifteenth-Century...
Although considerable attention has been paid to the texting practices of specific composers and cer...