Publication date
January 1995
DOI Publisher
Columbia University Libraries/Information ServicesAbstract
A comparison of the aesthetics of the Ballets Suedois and Ballets Russes, the premier avant-garde ballet companies of the 1920s
A comparison of the aesthetics of the Ballets Suedois and Ballets Russes, the premier avant-garde ballet companies of the 1920s
Elena Randi analyses and compares four masterpieces of the Ballets Russes: Petruška by Fokine (1911)...
The purpose of the article is to analyse and typologize the ballet criticism of the magazine New art...
Théâtre des Champs-Elysées : Ballets russe Monte-Carlo. In: Revue d'histoire de la pharmacie, supplé...
A comparison of the Ballets Russes and the Ballets Suedois, focusing on their cross-influences and r...
Rolf de Maré’s Ballets Suédois was active from 1920 to 1925. It was the chief artistic rival to Diag...
The encounters of Ballets Russes dancers and their contemporaries with film in the early twentieth c...
The Romantic Movement of the nineteenth century revolutionized the art form of ballet in France, and...
The Rite of Spring was a new kind of ballet, and it took a new kind of company to produce it. What e...
This paper examines the influence that the costume designers of the Ballets Russes, many of whom wer...
The central role that avant-garde music and dance theatre played in the interplay and synthesis of t...
The Champs-Elysées Theatre and the Russian Ballet, Roland Huesca. The construction history of the C...
Elena Randi analyses and compares four masterpieces of the Ballets Russes: Petruška by Fokine (1911)...
From: Graduation ball : ballet in one act / by David Lichine ; music by Johann Strauss ; compiled, a...
The purpose of the article is to reveal the main positions of discussions on the pages of Ukrainian ...
In 1909, Sergei Diaghilev arrived in Paris with a troupe of dancers that would soon take the city by...
Elena Randi analyses and compares four masterpieces of the Ballets Russes: Petruška by Fokine (1911)...
The purpose of the article is to analyse and typologize the ballet criticism of the magazine New art...
Théâtre des Champs-Elysées : Ballets russe Monte-Carlo. In: Revue d'histoire de la pharmacie, supplé...
A comparison of the Ballets Russes and the Ballets Suedois, focusing on their cross-influences and r...
Rolf de Maré’s Ballets Suédois was active from 1920 to 1925. It was the chief artistic rival to Diag...
The encounters of Ballets Russes dancers and their contemporaries with film in the early twentieth c...
The Romantic Movement of the nineteenth century revolutionized the art form of ballet in France, and...
The Rite of Spring was a new kind of ballet, and it took a new kind of company to produce it. What e...
This paper examines the influence that the costume designers of the Ballets Russes, many of whom wer...
The central role that avant-garde music and dance theatre played in the interplay and synthesis of t...
The Champs-Elysées Theatre and the Russian Ballet, Roland Huesca. The construction history of the C...
Elena Randi analyses and compares four masterpieces of the Ballets Russes: Petruška by Fokine (1911)...
From: Graduation ball : ballet in one act / by David Lichine ; music by Johann Strauss ; compiled, a...
The purpose of the article is to reveal the main positions of discussions on the pages of Ukrainian ...
In 1909, Sergei Diaghilev arrived in Paris with a troupe of dancers that would soon take the city by...
Elena Randi analyses and compares four masterpieces of the Ballets Russes: Petruška by Fokine (1911)...
The purpose of the article is to analyse and typologize the ballet criticism of the magazine New art...
Théâtre des Champs-Elysées : Ballets russe Monte-Carlo. In: Revue d'histoire de la pharmacie, supplé...
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