Add to ORKGThe Northern Irish conflict has been largely represented at the cinema since its outset. This work analyses the possible emergence of a transnational memory through the methodological tools of the universalisation – largely applied to the subject of the Shoah- and myths. The aim of this thesis is to observe possible common images and narratives shared by all analysed movies.Master [120] en sciences politiques, orientation relations internationales, Université catholique de Louvain, 201
The first two decades of the twenty-first century have witnessed a significant shift in the ways tha...
'Holocaust Remembrance Between the National and the Transnational' provides a key study of the remem...
This thesis provides a complex and in-depth analysis of the reception, by actual audiences, of recen...
Cette étude porte sur les films qui traitent du conflit politique nord-irlandais de 1968 à 1998 et e...
The paper is a short introduction to the ‘‘global turn’’ in memory studies and to transnational memo...
This thesis is concerned with the national cinemas of Britain, Canada, and Australia’s continuing in...
This book investigates cinematic representations of the murder of European Jews and civilian opposit...
<p>Cinema is memory. Films on the Holocaust, in particular, have turned into a paradigm of memory it...
The research was developed and conducted to analyse the way in which the conflict is represented in ...
Northern Ireland is now generally regarded to be a post-conflict region since the official end to th...
Within the divided society of Northern Ireland, the incomplete or deficient representation of commu...
Northern Ireland is a conflict with a long and violent history, which often focuses on the armed str...
This thesis will explore the evolving relationship between terrorism and its visual representations ...
Bloody Sunday. Derry, Northern Ireland, January 30, 1972, in which 13 Catholic civilians were shot d...
International audienceThis presentation will focus on a case study: the ‘Everyday Objects Transforme...
The first two decades of the twenty-first century have witnessed a significant shift in the ways tha...
'Holocaust Remembrance Between the National and the Transnational' provides a key study of the remem...
This thesis provides a complex and in-depth analysis of the reception, by actual audiences, of recen...
Cette étude porte sur les films qui traitent du conflit politique nord-irlandais de 1968 à 1998 et e...
The paper is a short introduction to the ‘‘global turn’’ in memory studies and to transnational memo...
This thesis is concerned with the national cinemas of Britain, Canada, and Australia’s continuing in...
This book investigates cinematic representations of the murder of European Jews and civilian opposit...
<p>Cinema is memory. Films on the Holocaust, in particular, have turned into a paradigm of memory it...
The research was developed and conducted to analyse the way in which the conflict is represented in ...
Northern Ireland is now generally regarded to be a post-conflict region since the official end to th...
Within the divided society of Northern Ireland, the incomplete or deficient representation of commu...
Northern Ireland is a conflict with a long and violent history, which often focuses on the armed str...
This thesis will explore the evolving relationship between terrorism and its visual representations ...
Bloody Sunday. Derry, Northern Ireland, January 30, 1972, in which 13 Catholic civilians were shot d...
International audienceThis presentation will focus on a case study: the ‘Everyday Objects Transforme...
The first two decades of the twenty-first century have witnessed a significant shift in the ways tha...
'Holocaust Remembrance Between the National and the Transnational' provides a key study of the remem...
This thesis provides a complex and in-depth analysis of the reception, by actual audiences, of recen...