This article examines the lyrics of some Salsa songs, analyzing part of the aesthetic statements from Latin America, which mention the African Diaspora. This analysis values a progressive recognition of the African contribution in the Caribbean culture development, identifying the communities that use the legacy of this musical gender. Emphasis is made in four instances within the development of this music: the Afro-Cuban musical tradition in the first half of the 20th century, the Latin movement of New York and their later reception in Colombia and western Africa.Este artículo examina la letra de algunas canciones de Salsa, analizando parte de las manifestaciones estéticas que desde América Latina, aluden a la diáspora africana. En este an...
Grupo Niche is undoubtedly the Colombian salsa band with greater national and international recognit...
Witches who steal your soul by embracing you, councils of blacks and mulattos, secret dances, dances...
This text points to a reflection about champeta and African musics , understood both as " black musi...
This article examines the lyrics of some Salsa songs, analyzing part of the aesthetic statements fro...
Estados Unidos es el lugar de origen del jazz, se puede decir que esto es geográficamente cierto, ma...
This composition traces the history of Cuban-American cultural identity formation through the lens o...
Salsa grew out of Cuban- and Puerto Rican-based popular dance music and, while embracing North Ameri...
Salsa has been widely developed as a musical style, as well as part of Spanish American culture, spe...
This text proposes a reflection on the theories of culture and/or lit-erature originating in differe...
International audienceBased on a fieldwork carried out in the town of Veracruz (Mexico), this articl...
This article ponders on the Afro-Cuban work of three composers of the Cuban diaspora at the turn of ...
Em 1989, O CIDEM, Conselho Interamericano de Músicada Organização dosEstados Americanos, convocou um...
Steinitz M. Diálogos afro-hemisféricos. Soul music y transnacionalismo negro en contextos afrolatino...
Although Latin American ethnomusicological scholarship in the last twenty years has addressed much o...
The album Siembra (Fania 1978) by Rubén Blades and Willie Colón marked the arrival of Salsa conscien...
Grupo Niche is undoubtedly the Colombian salsa band with greater national and international recognit...
Witches who steal your soul by embracing you, councils of blacks and mulattos, secret dances, dances...
This text points to a reflection about champeta and African musics , understood both as " black musi...
This article examines the lyrics of some Salsa songs, analyzing part of the aesthetic statements fro...
Estados Unidos es el lugar de origen del jazz, se puede decir que esto es geográficamente cierto, ma...
This composition traces the history of Cuban-American cultural identity formation through the lens o...
Salsa grew out of Cuban- and Puerto Rican-based popular dance music and, while embracing North Ameri...
Salsa has been widely developed as a musical style, as well as part of Spanish American culture, spe...
This text proposes a reflection on the theories of culture and/or lit-erature originating in differe...
International audienceBased on a fieldwork carried out in the town of Veracruz (Mexico), this articl...
This article ponders on the Afro-Cuban work of three composers of the Cuban diaspora at the turn of ...
Em 1989, O CIDEM, Conselho Interamericano de Músicada Organização dosEstados Americanos, convocou um...
Steinitz M. Diálogos afro-hemisféricos. Soul music y transnacionalismo negro en contextos afrolatino...
Although Latin American ethnomusicological scholarship in the last twenty years has addressed much o...
The album Siembra (Fania 1978) by Rubén Blades and Willie Colón marked the arrival of Salsa conscien...
Grupo Niche is undoubtedly the Colombian salsa band with greater national and international recognit...
Witches who steal your soul by embracing you, councils of blacks and mulattos, secret dances, dances...
This text points to a reflection about champeta and African musics , understood both as " black musi...