What does It mean to be a Polish art critic today?

The discussion on the topic of contemporary literary criticism has been contained within two symbolic poles: the article What does it mean today to be a Polish writer by Karol Maliszewski written in 1995 and What does it mean today to be a Polish authoress, written in 2008 by Igor Stokfiszewski. The former paper, which is characteristic of the critical-literary awareness of the 90s of the 20th century, promotes literature that is far from being involved and is based on an individual writer’s gesture; the latter, on the other hand, belongs to one of the better known critical projects of recent years and it promotes a political turnaround proclaiming literature that is engagé and one that is treated as an instrument of social critique. The project of literary criticism is at the same time an expressive and controversial proposition and its significance also consists in the fact that it became a strong impulse which mobilized literary criticism to define and defend other conceptions of literature and criticism and in this way contribute to a fundamental debate in the milieu of critics