This project developed into an installation comprising of 30 titled elements of varying status (artworks and not) for which materials, equipment and objects were borrowed, found, bought, and fabricated during the course of the residency. It became an interrogation of the gallery space, the local environment and my activities (both as an artist and in general), and was a kind of improvised, art survival exercise. For example, an early decision was not to use any source of artificial light inside the gallery. This had two effects – firstly, that light became very important to the project; secondly, that the space looked neither open nor closed to passers-by. The final elements that I installed were Art Surplus Store, where all surplus materi...