An engagement with the relations between the work of Raúl Ruiz, Gilles Deleuze and Pierre Klossowski, focusing especially on the Ruiz film "Hypothesis of the Stolen Painting" and its use of tableau vivant
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...
© 2020, Universidad del Zulia. All rights reserved. Using the example of Takeshi Kitano’s film Achil...
In this work we seek to propose a theory of color through Deleuzian inspiration; that is, we will pr...
The article discusses Raul Ruiz’s film The Hypothesis of the Stolen Painting (1978). In the closed s...
The purpose of this essay is to make a comparative analysis between the film �\Hipotesis de un Cuadr...
Raúl Ruiz (1931-2011), while considered one of the world’s most significant filmmakers by several fi...
Raúl Ruiz (1931-2011), while considered one of the world’s most significant filmmakers by several fi...
This book is the first major academic engagement with the idiosyncratic Chilean-born filmmaker Raul ...
Of all the arts, the cinema only has the ability to record the movement and the passage of time, wha...
This dissertation explores a genealogy of late dissident/ethnographic surrealist production in avant...
The excessive, even exclusive, reliance on Gilles Deleuze's concepts in French film studies sometime...
Resumen: Resulta incuestionable la importancia que el filósofo francés Gilles Deleuze otorga al cine...
Raúl Ruiz’s 2006 movie Klimt offers a sophisticated attempt to translate the visual art theory of Kl...
An engagement with the work of Raúl Ruiz, largely via a presentation of his influential Poetics of C...
Selon le philosophe Gilles Deleuze, l’arrivée du néo-réalisme italien constitue le point de passage ...
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...
© 2020, Universidad del Zulia. All rights reserved. Using the example of Takeshi Kitano’s film Achil...
In this work we seek to propose a theory of color through Deleuzian inspiration; that is, we will pr...
The article discusses Raul Ruiz’s film The Hypothesis of the Stolen Painting (1978). In the closed s...
The purpose of this essay is to make a comparative analysis between the film �\Hipotesis de un Cuadr...
Raúl Ruiz (1931-2011), while considered one of the world’s most significant filmmakers by several fi...
Raúl Ruiz (1931-2011), while considered one of the world’s most significant filmmakers by several fi...
This book is the first major academic engagement with the idiosyncratic Chilean-born filmmaker Raul ...
Of all the arts, the cinema only has the ability to record the movement and the passage of time, wha...
This dissertation explores a genealogy of late dissident/ethnographic surrealist production in avant...
The excessive, even exclusive, reliance on Gilles Deleuze's concepts in French film studies sometime...
Resumen: Resulta incuestionable la importancia que el filósofo francés Gilles Deleuze otorga al cine...
Raúl Ruiz’s 2006 movie Klimt offers a sophisticated attempt to translate the visual art theory of Kl...
An engagement with the work of Raúl Ruiz, largely via a presentation of his influential Poetics of C...
Selon le philosophe Gilles Deleuze, l’arrivée du néo-réalisme italien constitue le point de passage ...
The interest of Gilles Deleuze in the nondiscursive arts is related to the movement of his thought f...
© 2020, Universidad del Zulia. All rights reserved. Using the example of Takeshi Kitano’s film Achil...
In this work we seek to propose a theory of color through Deleuzian inspiration; that is, we will pr...