Add to ORKGThis chapter investigates the links between Joy Division and industrial Music in relation to the concept of hauntology. Drawing especially on Mark Fisher's work on sonic hauntology, it proposes a hauntological relationship between Fisher and Curtis, as well as exploring how Joy Division's music is haunted by modernism, esotericism and the industria
This chapter examines the field of Industrial Music and Throbbing Gristle in particular as a media e...
Based on the ideas of social-anthropologist Ernest Becker, Terror Management Theory (TMT) explains h...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...
This chapter addresses the Gothic as a haunting, disruptive force in contemporary culture. Focusing ...
This article will explore the particular sense of nostalgia evoked by the sound and music of the BBC...
“Categories strain, crack and sometimes break, under their burden - step out of the space provided” ...
This chapter discusses retrospective trends in music and audiovisual art, sometimes known as Haunto...
There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the p...
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that ...
Dog Music is a ghost story. It is a decade\u27s worth of personal experience in forming, understandi...
Live Music; Dead Bodies is a sound technodrama: it interweaves spoken text, technologically manipula...
In the post-modern era, the domination of repetition in aesthetics allows for deeper meaning to be c...
This chapter explores the literary influences of J. G. Ballard and William Burroughs on the music of...
This chapter explores ritual and trance in popular music contexts, focusing on the UK and Anglo-Amer...
This dissertation takes as its central topic the musical genre of doom metal. Largely absent from th...
This chapter examines the field of Industrial Music and Throbbing Gristle in particular as a media e...
Based on the ideas of social-anthropologist Ernest Becker, Terror Management Theory (TMT) explains h...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...
This chapter addresses the Gothic as a haunting, disruptive force in contemporary culture. Focusing ...
This article will explore the particular sense of nostalgia evoked by the sound and music of the BBC...
“Categories strain, crack and sometimes break, under their burden - step out of the space provided” ...
This chapter discusses retrospective trends in music and audiovisual art, sometimes known as Haunto...
There is a dark mythology surrounding the post-punk band Joy Division that tends to foreground the p...
This collection of writings by Mark Fisher, author of the acclaimed Capitalist Realism, argues that ...
Dog Music is a ghost story. It is a decade\u27s worth of personal experience in forming, understandi...
Live Music; Dead Bodies is a sound technodrama: it interweaves spoken text, technologically manipula...
In the post-modern era, the domination of repetition in aesthetics allows for deeper meaning to be c...
This chapter explores the literary influences of J. G. Ballard and William Burroughs on the music of...
This chapter explores ritual and trance in popular music contexts, focusing on the UK and Anglo-Amer...
This dissertation takes as its central topic the musical genre of doom metal. Largely absent from th...
This chapter examines the field of Industrial Music and Throbbing Gristle in particular as a media e...
Based on the ideas of social-anthropologist Ernest Becker, Terror Management Theory (TMT) explains h...
From 2001 research was carried out into the impact of digital tools such as the laptop computer on v...