A cultural history of film and television adaptations of Royal Shakespeare Company productions, and of those created by the Stratford Memorial Theatre before the formation of the RSC in 1961. The adaptations range from Frank Benson's film of Richard III in 1910 through to the company's current RSC Live from Stratford-upon-Avon "event cinema" screenings
Filmed interpretations of the plays are compared with each other in the light of Shakespeare's inten...
A number of scholars have rightly remarked that Shakespeare’s re-use of classical antiquity was func...
Research into film adaptation has increased very considerably over recent decades, a development tha...
During the Royal Shakespeare Company's 2014 summer season, both parts of Henry IV and The Two Gentle...
Continuing series of live cinema broadcasts of RSC stage productions of plays by William Shakespeare...
Copyright Cambridge University Press [Full text of this chapter is not available in the UHRA]This fi...
On 20 March 1961 it was formally announced that the Shakespeare Memorial Theatre in Stratford-upon-A...
Since 1937, almost fifty British television productions of Shakespeare have been adapted from specif...
This thesis re-examines the relationship between stage and screen in film adaptations of Shakespeare...
Copyright Manchester University Press [Full text of this chapter is not available in the UHRA]Wherea...
International audienceHow is a Shakespearean play transformed when it is directed for the screen? In...
The Royal Shakespeare Company presents The Hollow Crown, Pleasure and Repentance, Septmeber 16 and 1...
[[abstract]]Underlying the importance of historical sources as the framework of Shakespeare's plays,...
International audienceThe third volume in the re-launched series Shakespeare on Screen is devoted to...
The file attached to this record is the author's final peer reviewed version.Introduction to special...
Filmed interpretations of the plays are compared with each other in the light of Shakespeare's inten...
A number of scholars have rightly remarked that Shakespeare’s re-use of classical antiquity was func...
Research into film adaptation has increased very considerably over recent decades, a development tha...
During the Royal Shakespeare Company's 2014 summer season, both parts of Henry IV and The Two Gentle...
Continuing series of live cinema broadcasts of RSC stage productions of plays by William Shakespeare...
Copyright Cambridge University Press [Full text of this chapter is not available in the UHRA]This fi...
On 20 March 1961 it was formally announced that the Shakespeare Memorial Theatre in Stratford-upon-A...
Since 1937, almost fifty British television productions of Shakespeare have been adapted from specif...
This thesis re-examines the relationship between stage and screen in film adaptations of Shakespeare...
Copyright Manchester University Press [Full text of this chapter is not available in the UHRA]Wherea...
International audienceHow is a Shakespearean play transformed when it is directed for the screen? In...
The Royal Shakespeare Company presents The Hollow Crown, Pleasure and Repentance, Septmeber 16 and 1...
[[abstract]]Underlying the importance of historical sources as the framework of Shakespeare's plays,...
International audienceThe third volume in the re-launched series Shakespeare on Screen is devoted to...
The file attached to this record is the author's final peer reviewed version.Introduction to special...
Filmed interpretations of the plays are compared with each other in the light of Shakespeare's inten...
A number of scholars have rightly remarked that Shakespeare’s re-use of classical antiquity was func...
Research into film adaptation has increased very considerably over recent decades, a development tha...