In this open rehearsal. the performers work on developing an interpretation of Rachmaninoff's sonata for cello and piano in G minor Op.1. Neither of the performers played the piece before, and prior to the workshop they had two private rehearsals. Among research questions posed are: - What kind of musical information does the score provide, and what kinds of knowledge do performers employ in interpreting the score? - How prescriptive is the musical score and how much room does it leave for creative decisions? - What are the cognitive and affective processes that the performers go through as they formulate their conception of a chamber-music piece and create a performance interpretation? - How do the performers resolve issues of ...
The focus of this project is the performance of Sergei Rachmaninoff\u27s Etudes-Tableaux Op. 39. The...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...
In this workshop, which is conceived as an 'open rehearsal' in preparation for public performances, ...
In this workshop, which is conceived as an 'open rehearsal' in preparation for public performances, ...
This research illustrates the performer-researcher’s artistic process of reaching an understanding o...
Between 2014 and 2016 I investigated as an artist-researcher the multiple interpretability of the sc...
This critical commentary is an investigation into specific performance practice issues concerning th...
Between 2014 and 2016 I investigated as an artist-researcher the multiple interpretability of the sc...
In the workshop, the performers explore issues related to developing a performance interpretation of...
The purpose of this study is to investigate aspects of musical interpretation and suggest guidelines...
Performers Mine Doğantan Dack, piano, and Pal Banda, cello, critically reflect on and discuss "…that...
Various studies have been conducted to understand the role of mental representation when musicians p...
Growing discomfort with musicology’s ease in viewing the score as synonymous with act has propelled ...
Growing discomfort with musicology’s ease in viewing the score as synonymous with act has propelled ...
The focus of this project is the performance of Sergei Rachmaninoff\u27s Etudes-Tableaux Op. 39. The...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...
In this workshop, which is conceived as an 'open rehearsal' in preparation for public performances, ...
In this workshop, which is conceived as an 'open rehearsal' in preparation for public performances, ...
This research illustrates the performer-researcher’s artistic process of reaching an understanding o...
Between 2014 and 2016 I investigated as an artist-researcher the multiple interpretability of the sc...
This critical commentary is an investigation into specific performance practice issues concerning th...
Between 2014 and 2016 I investigated as an artist-researcher the multiple interpretability of the sc...
In the workshop, the performers explore issues related to developing a performance interpretation of...
The purpose of this study is to investigate aspects of musical interpretation and suggest guidelines...
Performers Mine Doğantan Dack, piano, and Pal Banda, cello, critically reflect on and discuss "…that...
Various studies have been conducted to understand the role of mental representation when musicians p...
Growing discomfort with musicology’s ease in viewing the score as synonymous with act has propelled ...
Growing discomfort with musicology’s ease in viewing the score as synonymous with act has propelled ...
The focus of this project is the performance of Sergei Rachmaninoff\u27s Etudes-Tableaux Op. 39. The...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...
This chapter explores the phenomenon of play in the context of professional chamber ensemble rehears...