The aim of my thesis is to investigate the various modes and ways that women attempt to escape from the oppression of patriarchal society as represented in four twentieth-century female playwrights’ drama: Sophie Treadwell’s Machinal (1928), Susan Glaspell’s Trifles (1916), Maria Irene Fornes’s The Conduct of Life (1985), and Fefu and Her Friends (1977). In these works I will investigate the following issues: the reasons for marriage for both of the sexes, the nature of marriage for women, the relationship of men and women, their alienation from one another, how women can cope with their situation, whether there is a way out of this repressed and unendurable state or not, what the nature of life would be without men as represented i...
This dissertation is a feminist reading of the ways that playwright Timberlake Wertenbaker portrays ...
This thesis is a study of a select group of women characters who appear prominently in several twent...
There are numerous examples in which the female characters in William Shakespeare’s plays go against...
The aim of my thesis is to investigate the representation of suppressed female characters in a male ...
Includes bibliographical references (pages [92]-95)In this study, male violence against women as wel...
The theme of this thesis is women and violence explored in eleven plays by British contemporary wom...
The study reveals women self-directed oppression in Maria Irenes’ plays Fefu and her friends, The Co...
In this study, I examine the dramatization of violence against the female body in contemporary drama...
This article explores the representations of violence in Susan Glaspell’s play first produced by the...
Thesis. The article aims to study Poile Sengupta’s play entitled Mangalam to analyse how the play ra...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
The thesis attempts to theorize the conditions of a feminist practice (or practices) of drama throug...
This thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Ar...
Women across historical, social and religious boundaries have been pitted against the asphyxia...
This dissertation recovers women playwrights’ examples of prostitution and severe forms of sex traff...
This dissertation is a feminist reading of the ways that playwright Timberlake Wertenbaker portrays ...
This thesis is a study of a select group of women characters who appear prominently in several twent...
There are numerous examples in which the female characters in William Shakespeare’s plays go against...
The aim of my thesis is to investigate the representation of suppressed female characters in a male ...
Includes bibliographical references (pages [92]-95)In this study, male violence against women as wel...
The theme of this thesis is women and violence explored in eleven plays by British contemporary wom...
The study reveals women self-directed oppression in Maria Irenes’ plays Fefu and her friends, The Co...
In this study, I examine the dramatization of violence against the female body in contemporary drama...
This article explores the representations of violence in Susan Glaspell’s play first produced by the...
Thesis. The article aims to study Poile Sengupta’s play entitled Mangalam to analyse how the play ra...
grantor: University of TorontoModern British drama has been widely acknowledged for its at...
The thesis attempts to theorize the conditions of a feminist practice (or practices) of drama throug...
This thesis is submitted in partial fulfillment of the requirements for the degree of Bachelor of Ar...
Women across historical, social and religious boundaries have been pitted against the asphyxia...
This dissertation recovers women playwrights’ examples of prostitution and severe forms of sex traff...
This dissertation is a feminist reading of the ways that playwright Timberlake Wertenbaker portrays ...
This thesis is a study of a select group of women characters who appear prominently in several twent...
There are numerous examples in which the female characters in William Shakespeare’s plays go against...