Corporal identity and design project for a museum set-up on the case of the museum Rogla

Dandanes smo večino časa obkroženi z mnogimi vizualnimi podobami, kar omogoča številne načine komuniciranja. Z razvojem vizualnih komunikacij so se spreminjale tudi ene izmed tradicionalnih in zgodovinsko usmerjenih ustanov – muzeji – in njihove postavitve. Zaradi uporabe vizualnega znotraj muzejskih institucij, smo v okviru diplomske naloge najprej raziskali teorijo muzejskih postavitev. Zatem smo se lotili človeških dejavnikov, na katere vplivajo različni (grafično)-oblikovalski elementi, saj je od tega odvisen pristop v oblikovanju. V drugi polovici teoretičnega dela smo obrazložili pomen celostne grafične podobe in njenih komponentnačina, kako javnosti predstavlja bistvo zastopane organizacijeter njenega vpliva. V praktičnem delu smo preučeno teorijo uporabili tekom projektnega dela z negospodarskim in neprofitnim sektorjem ŠIPK 2016–2018 (naslovljeno Krepitev identitete Pohorcev), kjer smo izdelali lastno idejno zasnovo muzejske postavitve muzeja na Rogli in podpirajočo celostno grafično podobo.Most of the time nowadays we are surrounded by many visual images, which allow numerous ways of communication. With the evolvement of visual communications, one of the traditional and historcally oriented institutions – museums – and their exhibition placements, have also been changing. Because of the usage of visual inside of museum institutions, in the first part of this degree paper we researched the theory of museum exhibitions. Then we moved on to researching human factors that are influenced by different graphic design elements, because the approach to design is based on them. In the second half of theoretical part we explained the meaning of corporal identity and its componentsthe way how it publically represents the essence of the represented organizationand its influence. In the practical part we then used the gathered information for working on a project with non-commercial and non-profit sector ŠIPK 2016–2018 (named Krepitev identitete Pohorcev), during which we created the design of a museum set-up for the museum Rogla and its own corporal identity