Review of Biagio Marini: Madrigali et Symfonie, ed. Aurelio Bianco and Sara Dieci. pp. 217. Épitome Musical. (Brepols Publishers n.v., Turnhout, 2014)
This thesis examines how the mid sixteenth century madrigal phenomenon was perceived and interpreted...
"Roger Freitas firmly situates his book, Portrait of a Castrato: Politics, Patronage, and Music in t...
In spite of various clues pointing to the fact that Andrea Gabrieli’s fame had reached Milan during ...
Many present day directors and performers show little stylistic understanding of original madrigalia...
In entitling his debut publication of 1617 Affetti musicali, Biagio Marini became the first composer...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
Greek tragedy, their themes were pastoral, an archetype which antiquity failed to provide. In tracin...
Between 1607 and 1609, the Milanese professor of rhetoric, Aquilino Coppini (d. 1629), published thr...
492 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1984.The Concerti di Andrea et di...
In this article Simon Mercieca refers to the work of Emiliana Renna on the Italian singer Giacomo Lo...
Luca Marenzio has long been acknowledged as one of the greatest masters of the Italian madrigal, yet...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book,...
Musical biography proliferated in England in the hagiographical climate of the later nineteenth cent...
Battista Guarini's Il pastor fido (1590) holds a prominent place in the history of the Italian madri...
The “golden age” of the arts in England in the sixteenth century came about largely because of the c...
This thesis examines how the mid sixteenth century madrigal phenomenon was perceived and interpreted...
"Roger Freitas firmly situates his book, Portrait of a Castrato: Politics, Patronage, and Music in t...
In spite of various clues pointing to the fact that Andrea Gabrieli’s fame had reached Milan during ...
Many present day directors and performers show little stylistic understanding of original madrigalia...
In entitling his debut publication of 1617 Affetti musicali, Biagio Marini became the first composer...
The early decades of the seventeenth century saw an important aesthetic shift in Italian secular mus...
Greek tragedy, their themes were pastoral, an archetype which antiquity failed to provide. In tracin...
Between 1607 and 1609, the Milanese professor of rhetoric, Aquilino Coppini (d. 1629), published thr...
492 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1984.The Concerti di Andrea et di...
In this article Simon Mercieca refers to the work of Emiliana Renna on the Italian singer Giacomo Lo...
Luca Marenzio has long been acknowledged as one of the greatest masters of the Italian madrigal, yet...
This article focuses on Aquilino Coppini’s contrafacta of Monteverdi madrigals from the Fifth Book,...
Musical biography proliferated in England in the hagiographical climate of the later nineteenth cent...
Battista Guarini's Il pastor fido (1590) holds a prominent place in the history of the Italian madri...
The “golden age” of the arts in England in the sixteenth century came about largely because of the c...
This thesis examines how the mid sixteenth century madrigal phenomenon was perceived and interpreted...
"Roger Freitas firmly situates his book, Portrait of a Castrato: Politics, Patronage, and Music in t...
In spite of various clues pointing to the fact that Andrea Gabrieli’s fame had reached Milan during ...
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