Add to ORKGAmong the many significant developments in oral tradition studies in recent years has been a growing awareness that the terms "oral" and "traditional" do not exclude influences of writing. Approaches viewing purely oral and purely literate modes of composition and reception as only the extreme ends of a continuum open up a wider range of works to us that are influenced to varying degrees by oral traditions (see, for example, Bradbury 1998). This broadening of scope allows for meaningful comparisons that transcend conventional boundaries of genre, language, and academic discipline
The study of ancient Greek oral epic traditions today revolves around a complex and hotly debated as...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
For a folklorist it is difficult to think about oral tradition other than through the perspectives p...
Frame tales, medieval literary works in which characters become narrators by telling stories of thei...
I have argued that Israelite literature includes many oral "registers" reflecting various tastes, fu...
Examines the interrelationship between oral (or performing) and written traditions in Chinese popula...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
In the vast system of forms and modes of communication denominated by the syntagma "oral" tradition,...
The study of ancient Greek oral epic traditions today revolves around a complex and hotly debated as...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
Among the many significant developments in oral tradition studies in recent years has been a growing...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
For a folklorist it is difficult to think about oral tradition other than through the perspectives p...
Frame tales, medieval literary works in which characters become narrators by telling stories of thei...
I have argued that Israelite literature includes many oral "registers" reflecting various tastes, fu...
Examines the interrelationship between oral (or performing) and written traditions in Chinese popula...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
In the vast system of forms and modes of communication denominated by the syntagma "oral" tradition,...
The study of ancient Greek oral epic traditions today revolves around a complex and hotly debated as...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...