Add to ORKGStudents of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, reactant, and reagent in the verbal arts created in peninsular Romance vernaculars. Direct and indirect testimony confirm its decisive action on lyric and narrative tokens in those languages, as well as on paremiological forms such as refranes ("folk sayings") and advinianzas ("riddles"). OT is a practical instrument, like the clay tablet, codex, or printed page, but exceptional among them: it warrants the singer to create variations within parameters of genre, performance, and audience.Not
This study evaluates several medieval Castilian prose works in light of recent investigations dealin...
As Walter Ong asserts, most literary texts held in manuscript form up to the eighteenth century, and...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
Among the many significant developments in oral tradition studies in recent years has been a growing...
Among the many significant developments in oral tradition studies in recent years has been a growing...
A key player among Iberian oral traditions, the pervasive and resilient pan-Hispanic romancero merit...
We are concerned here with the oral traditions of Hispanic or Iberian peoples: speakers of Spanish (...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
A key player among Iberian oral traditions, the pervasive and resilient pan-Hispanic romancero merit...
The transmission of knowledge by means of oral literary forms, so strongly attacked by Plato in the ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
We are concerned here with the oral traditions of Hispanic or Iberian peoples: speakers of Spanish (...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
This article proposes to mark out the theoretical configuration pertinence of the popular literature...
This study evaluates several medieval Castilian prose works in light of recent investigations dealin...
As Walter Ong asserts, most literary texts held in manuscript form up to the eighteenth century, and...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
Students of medieval Spanish literature can recognize oral tradition (= OT) as substrate, catalyst, ...
Among the many significant developments in oral tradition studies in recent years has been a growing...
Among the many significant developments in oral tradition studies in recent years has been a growing...
A key player among Iberian oral traditions, the pervasive and resilient pan-Hispanic romancero merit...
We are concerned here with the oral traditions of Hispanic or Iberian peoples: speakers of Spanish (...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
A key player among Iberian oral traditions, the pervasive and resilient pan-Hispanic romancero merit...
The transmission of knowledge by means of oral literary forms, so strongly attacked by Plato in the ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
We are concerned here with the oral traditions of Hispanic or Iberian peoples: speakers of Spanish (...
For nearly fifty years, the medieval English oral tradition has been one of the most intensely studi...
This article proposes to mark out the theoretical configuration pertinence of the popular literature...
This study evaluates several medieval Castilian prose works in light of recent investigations dealin...
As Walter Ong asserts, most literary texts held in manuscript form up to the eighteenth century, and...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...