I intend to illustrate the concepts of Sprache der Nahe ("language of immediacy") and Sprache der Distanz ("language of distance") and demonstrate the usefulness of the orality/literacy approach for the study of literature. Not only can it serve as a metaphor for interpretation, but it can also be employed in the analysis of several levels of literary discourse, from character language to overall narrative strategies. The double purpose of this essay demands some restrictions on the material considered. In the middle sections I will therefore focus on two extreme instances of the representation of character language that are contrasted in fictional medium and linguistic mode: Stephen's talk about Hamlet in the National Library (spoken/liter...
Improvisation in the Italian commedia dell'arte and in the Shakespearean clown offers an especially ...
In lieu of an abstract, below is the essay\u27s first paragraph. Unable to find the freedom of spir...
Processing Note: Further review neededThe Milman Parry Lecture on Oral Tradition for 1990-9
While fictional orality (spoken language in fictional texts) has received some attention in the cont...
This study supports the contention that linguistic analysis can be an important tool in understandin...
Also published in Symposium Melitensia Vol. 15 (2019) p. 57-64When James Joyce’s novel Ulysses was p...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
Readers of James Joyce\u27s Ulysses know that it is a cosmopolitan (multilingual) novel, but most do...
A complex, changing age requires a complex, flexible medium of expression and interpretation, conven...
none2The book, we hope and trust, will appeal to the growing number of scholars working in, and stud...
This article is an attempt to approach James Joyce's Ulysses from a Bakhtinian perspective, not only...
The book, we hope and trust, will appeal to the growing number of scholars working in, and students ...
The book, we hope and trust, will appeal to the growing number of scholars working in, and students ...
Improvisation in the Italian commedia dell'arte and in the Shakespearean clown offers an especially ...
In lieu of an abstract, below is the essay\u27s first paragraph. Unable to find the freedom of spir...
Processing Note: Further review neededThe Milman Parry Lecture on Oral Tradition for 1990-9
While fictional orality (spoken language in fictional texts) has received some attention in the cont...
This study supports the contention that linguistic analysis can be an important tool in understandin...
Also published in Symposium Melitensia Vol. 15 (2019) p. 57-64When James Joyce’s novel Ulysses was p...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
This paper considers James Joyce\u27s Ulysses. It focuses specifically on Joyce\u27s use of language...
Readers of James Joyce\u27s Ulysses know that it is a cosmopolitan (multilingual) novel, but most do...
A complex, changing age requires a complex, flexible medium of expression and interpretation, conven...
none2The book, we hope and trust, will appeal to the growing number of scholars working in, and stud...
This article is an attempt to approach James Joyce's Ulysses from a Bakhtinian perspective, not only...
The book, we hope and trust, will appeal to the growing number of scholars working in, and students ...
The book, we hope and trust, will appeal to the growing number of scholars working in, and students ...
Improvisation in the Italian commedia dell'arte and in the Shakespearean clown offers an especially ...
In lieu of an abstract, below is the essay\u27s first paragraph. Unable to find the freedom of spir...
Processing Note: Further review neededThe Milman Parry Lecture on Oral Tradition for 1990-9