Add to ORKGThe purpose of this paper is to explore the complex relationship among performance, visuality, and textuality, using examples from traditional Japanese poetry, and to reveal how the interaction among these three elements is integral to understanding Japanese poetry as process or action.Issue title: Performance Literature II
The thesis is that poetry is inherently dramatic in nature and may therefore be staged in the manner...
The question of what makes a text ‘literary’ has been philosophically evergreen, stretching back to ...
This volume examines performance and the phenomenon of performance literature in a highly comparativ...
The purpose of this paper is to explore the complex relationship among performance, visuality, and t...
In this essay, I will make a case that performance in Japan has been a catalyst for the artistic pro...
Poetry readings have become a standard element in the practice of poetry in the English-speaking wor...
In written literary traditions the distinction between text and performance seems self-evident. The ...
This number contains the second group of articles on Performance Literature that form volume 20 of O...
In classical Japanese poetry (waka), one often equates the poetic persona with the historical poet, ...
Japan is an interesting comparative point in the broader history of modes of reading and literary/ar...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
This essay considers the implications of situating literate, postmodern poetry in a performance cont...
Form is central to poetry, if not all artistic endeavor. The Japanese literary tradition contains an...
O presente trabalho tem como foco analisar o caráter de oralidade presente na poesia, demonstrando c...
Challenges and opportunities occur when placing written poetic text in a visual, kinetic and aural s...
The thesis is that poetry is inherently dramatic in nature and may therefore be staged in the manner...
The question of what makes a text ‘literary’ has been philosophically evergreen, stretching back to ...
This volume examines performance and the phenomenon of performance literature in a highly comparativ...
The purpose of this paper is to explore the complex relationship among performance, visuality, and t...
In this essay, I will make a case that performance in Japan has been a catalyst for the artistic pro...
Poetry readings have become a standard element in the practice of poetry in the English-speaking wor...
In written literary traditions the distinction between text and performance seems self-evident. The ...
This number contains the second group of articles on Performance Literature that form volume 20 of O...
In classical Japanese poetry (waka), one often equates the poetic persona with the historical poet, ...
Japan is an interesting comparative point in the broader history of modes of reading and literary/ar...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
This essay considers the implications of situating literate, postmodern poetry in a performance cont...
Form is central to poetry, if not all artistic endeavor. The Japanese literary tradition contains an...
O presente trabalho tem como foco analisar o caráter de oralidade presente na poesia, demonstrando c...
Challenges and opportunities occur when placing written poetic text in a visual, kinetic and aural s...
The thesis is that poetry is inherently dramatic in nature and may therefore be staged in the manner...
The question of what makes a text ‘literary’ has been philosophically evergreen, stretching back to ...
This volume examines performance and the phenomenon of performance literature in a highly comparativ...