Add to ORKGThis number contains the second group of articles on Performance Literature that form volume 20 of Oral Tradition, and that began life as papers for the workshops on Literature and Performance in the School of African and Asian Studies (SOAS), London University, part of the larger AHRB (Arts and Humanities Research Board) Centre for African and Asian Literature.Issue title: Performance Literature II
Abstract This paper is a continuation of a series of studies in which I have been looking at various...
The study of literature entails several fundamental concerns. These usually include matters of creat...
This essay considers the implications of situating literate, postmodern poetry in a performance cont...
This volume examines performance and the phenomenon of performance literature in a highly comparativ...
In written literary traditions the distinction between text and performance seems self-evident. The ...
A critical discussion of the concept of 'performance literature' as applied to the cross-cultural an...
In a challenging article that starts not from the conventional Western literary canon but from tradi...
In what follows I will restrict myself largely to discussion of the transcription of verbal and aura...
In this essay, I will make a case that performance in Japan has been a catalyst for the artistic pro...
Poetry readings have become a standard element in the practice of poetry in the English-speaking wor...
A performance is not a text, no more than an experience is an item or language is writing. At its ve...
In this paper I examine why the Balinese continue to improvise in performance in spite of the presen...
The Idea of Performer-Critics Scholarship in African literature has had to admit the central role th...
Moving oral traditions into the domain of the printed word involves a first step of transcription.1 ...
The purpose of this paper is to explore the complex relationship among performance, visuality, and t...
Abstract This paper is a continuation of a series of studies in which I have been looking at various...
The study of literature entails several fundamental concerns. These usually include matters of creat...
This essay considers the implications of situating literate, postmodern poetry in a performance cont...
This volume examines performance and the phenomenon of performance literature in a highly comparativ...
In written literary traditions the distinction between text and performance seems self-evident. The ...
A critical discussion of the concept of 'performance literature' as applied to the cross-cultural an...
In a challenging article that starts not from the conventional Western literary canon but from tradi...
In what follows I will restrict myself largely to discussion of the transcription of verbal and aura...
In this essay, I will make a case that performance in Japan has been a catalyst for the artistic pro...
Poetry readings have become a standard element in the practice of poetry in the English-speaking wor...
A performance is not a text, no more than an experience is an item or language is writing. At its ve...
In this paper I examine why the Balinese continue to improvise in performance in spite of the presen...
The Idea of Performer-Critics Scholarship in African literature has had to admit the central role th...
Moving oral traditions into the domain of the printed word involves a first step of transcription.1 ...
The purpose of this paper is to explore the complex relationship among performance, visuality, and t...
Abstract This paper is a continuation of a series of studies in which I have been looking at various...
The study of literature entails several fundamental concerns. These usually include matters of creat...
This essay considers the implications of situating literate, postmodern poetry in a performance cont...