Add to ORKGIn the German music of the first half of the 17th century one encounters a relatively narrow repertoire. In comparison to both the polychoral and monodical styles imported from Italy and conservative local compositions it attracts attention due to its individual character
The collection Parnassus Musicus Ferdinandaeus constitutes a snapshot of the small-scale motet reper...
Chansons, madrigales \u26 motetz à 3 parties of 1568 is one of two volumes that constitute the debut...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
In the German music of the first half of the 17th century one encounters a relatively narrow reperto...
Inspired by the seminal work of historians Ernst Walter Zeeden, Wolfgang Reinhard and Heinz Schillin...
Spanish composers working during the second half of the sixteenth century capitalized on the generic...
Using Elizabethan madrigals, I will shed light on the role of modality in the expressive chromaticis...
2014-05-20This document examines Georg Philipp Telemann’s motets in the context of the German motet ...
Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of th...
ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...
SIGLEAvailable from British Library Document Supply Centre-DSC:DXN036185 / BLDSC - British Library D...
This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Song...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
The Neapolitan poet Giambattista Marino made a major impact on the history of Italian music in the e...
The mass and the motet are the most important musical components of the Catholic liturgy. The develo...
The collection Parnassus Musicus Ferdinandaeus constitutes a snapshot of the small-scale motet reper...
Chansons, madrigales \u26 motetz à 3 parties of 1568 is one of two volumes that constitute the debut...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...
In the German music of the first half of the 17th century one encounters a relatively narrow reperto...
Inspired by the seminal work of historians Ernst Walter Zeeden, Wolfgang Reinhard and Heinz Schillin...
Spanish composers working during the second half of the sixteenth century capitalized on the generic...
Using Elizabethan madrigals, I will shed light on the role of modality in the expressive chromaticis...
2014-05-20This document examines Georg Philipp Telemann’s motets in the context of the German motet ...
Although Magdeburg cantor Heinrich Grimm was frequently listed among prominent musical figures of th...
ii In 1618, a German clergyman and musician named Erhard Bodenschatz published a collection of 115 m...
SIGLEAvailable from British Library Document Supply Centre-DSC:DXN036185 / BLDSC - British Library D...
This thesis investigates early sixteenth-century motet settings of texts taken from the Song of Song...
In the decades that followed the Council of Trent Italian composers set at least a thousand differen...
The Neapolitan poet Giambattista Marino made a major impact on the history of Italian music in the e...
The mass and the motet are the most important musical components of the Catholic liturgy. The develo...
The collection Parnassus Musicus Ferdinandaeus constitutes a snapshot of the small-scale motet reper...
Chansons, madrigales \u26 motetz à 3 parties of 1568 is one of two volumes that constitute the debut...
Despite frequent attempts to explain the emergence of a coherent type of polyphonic song in the earl...