Of the plethora of observations and contextualizations that Vilém Flusser puts forward in his book Gestures (Flusser 2014), I am interested here, and with respect to current research on archival processes relating to performative arts, in his approach to media theory in particular. This is manifest in the section of the book titled “Beyond Machines” and in the three chapters devoted to the gestures that produce “techno-images”, as Flusser himself dubbed them in a previous work (Flusser 1998b: 9-234): the gestures of photographing, filming and video
In 1966, Michael Noll, a pioneer in early computer art, published the results of an experiment in wh...
The thesis focuses on the dilemmas raised by self-reflexive filmmaking through the scrutiny of diffe...
Editorial Article to the special issue "Mise en geste. Studies of Gesture in Cinema" (ed. by Ana Hed...
Of the plethora of observations and contextualizations that Vilém Flusser puts forward in his book G...
Although Flusser speaks about a ‘theory of gestures’, presented in the volume Gestures, his approach...
Gestures are perhaps the everyday signifying practice that receives the least analytic attention. We...
This essay draws on Vilém Flusser’s phenomenological approach and speculative thinking to envision a...
The relationship of the concept of code and gesture in the thought processes of Vilém Flusser Kamil ...
It could be said that both Roland Barthes and Vilém Flusser were interested in accounts of the “pro-...
The chapters in this book present several different perspectives on the phenomenon of gesture in its...
This thesis offers an adjunct to recent theories of the haptic contingent upon proximity by consider...
This paper demonstrates the relevance of Vilém Flusser’s concept of post-industrial (programmed) app...
There is a generalized “will to move” in photographic images (gifs, boomerangs and videos of very sh...
Walking through Aernout Mik’s exhibition Communitas, dwelling in the encounter with the people and s...
Abstract Gesture in focus—Gestural body movements play an increasingly vital role in disciplines ac...
In 1966, Michael Noll, a pioneer in early computer art, published the results of an experiment in wh...
The thesis focuses on the dilemmas raised by self-reflexive filmmaking through the scrutiny of diffe...
Editorial Article to the special issue "Mise en geste. Studies of Gesture in Cinema" (ed. by Ana Hed...
Of the plethora of observations and contextualizations that Vilém Flusser puts forward in his book G...
Although Flusser speaks about a ‘theory of gestures’, presented in the volume Gestures, his approach...
Gestures are perhaps the everyday signifying practice that receives the least analytic attention. We...
This essay draws on Vilém Flusser’s phenomenological approach and speculative thinking to envision a...
The relationship of the concept of code and gesture in the thought processes of Vilém Flusser Kamil ...
It could be said that both Roland Barthes and Vilém Flusser were interested in accounts of the “pro-...
The chapters in this book present several different perspectives on the phenomenon of gesture in its...
This thesis offers an adjunct to recent theories of the haptic contingent upon proximity by consider...
This paper demonstrates the relevance of Vilém Flusser’s concept of post-industrial (programmed) app...
There is a generalized “will to move” in photographic images (gifs, boomerangs and videos of very sh...
Walking through Aernout Mik’s exhibition Communitas, dwelling in the encounter with the people and s...
Abstract Gesture in focus—Gestural body movements play an increasingly vital role in disciplines ac...
In 1966, Michael Noll, a pioneer in early computer art, published the results of an experiment in wh...
The thesis focuses on the dilemmas raised by self-reflexive filmmaking through the scrutiny of diffe...
Editorial Article to the special issue "Mise en geste. Studies of Gesture in Cinema" (ed. by Ana Hed...