Add to ORKGThe researcher plays a number of examples showing particular features of Elgar’s piano notation. He explains that the way Elgar’s pianism developed means that these particularities can be easily misunderstood by conventionally-trained pianists. He suggests that Elgar’s pianism foreshadows Stravinsky’s habits of piano-writing, and that Elgar’s pianistic iconoclasm made him a modernist
In this thesis I examine the relationship between the compositional method of Elgar and that of Wagn...
This article examines some of the particular questions and associated strategies concerning matters ...
The concept of the musical work has triggered much discussion: it has been defined and redefined, an...
The researcher plays a number of examples showing particular features of Elgar’s piano notation. He ...
textEdward Elgar conducted his Cello Concerto Op.85 twice in the recording studio in 1919 and 1928,...
Sir Edward Elgar's song cycle Sea Pictures, op. 37 premiered on 5 October 1899. Written for contralt...
Early recordings of Elgar’s Sonata for Violin and Piano Op.82 and other English works from around 19...
Early piano recordings provide audible evidence of the style of late- nineteenth and early twentieth...
This article proposes an analysis of some innovations and recurrent characteristics of Tausig’s pian...
This article explores the idea of orchestral imitation or evocation on the piano. Long an aspect of ...
Scores of complex, 20th century, solo piano pieces can be difficult to perform and may even include ...
On June 19, 1899, Elgar's opus 36, Variations on a Theme, was introduced to the public for the first...
Twentieth century composers of music for the piano often make use of certain unusual effects that pr...
This practice-based project investigates performing practices in German piano repertoire in the peri...
A musical analysis of Elgar's Second Symphony is accompanied by reflections on its social and philos...
In this thesis I examine the relationship between the compositional method of Elgar and that of Wagn...
This article examines some of the particular questions and associated strategies concerning matters ...
The concept of the musical work has triggered much discussion: it has been defined and redefined, an...
The researcher plays a number of examples showing particular features of Elgar’s piano notation. He ...
textEdward Elgar conducted his Cello Concerto Op.85 twice in the recording studio in 1919 and 1928,...
Sir Edward Elgar's song cycle Sea Pictures, op. 37 premiered on 5 October 1899. Written for contralt...
Early recordings of Elgar’s Sonata for Violin and Piano Op.82 and other English works from around 19...
Early piano recordings provide audible evidence of the style of late- nineteenth and early twentieth...
This article proposes an analysis of some innovations and recurrent characteristics of Tausig’s pian...
This article explores the idea of orchestral imitation or evocation on the piano. Long an aspect of ...
Scores of complex, 20th century, solo piano pieces can be difficult to perform and may even include ...
On June 19, 1899, Elgar's opus 36, Variations on a Theme, was introduced to the public for the first...
Twentieth century composers of music for the piano often make use of certain unusual effects that pr...
This practice-based project investigates performing practices in German piano repertoire in the peri...
A musical analysis of Elgar's Second Symphony is accompanied by reflections on its social and philos...
In this thesis I examine the relationship between the compositional method of Elgar and that of Wagn...
This article examines some of the particular questions and associated strategies concerning matters ...
The concept of the musical work has triggered much discussion: it has been defined and redefined, an...