Add to ORKGOral history relies on performativity for inheritance and representation, and the performance of oral history is the transformation of three-dimensional social memory. Such a medium has no gender bias; both men and women can perform and listen to it. Oral history rejects linguistic hegemony and can be performed in various languages, with its audience coming from either the noblity or the "untouchables."Not
When I arrived at the University of North Carolina at Chapel Hill in 1986 to teach Performance Studi...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
Tradition is communication, the passing on of (social) culture through shared practices and lore. It...
Oral history relies on performativity for inheritance and representation, and the performance of ora...
Definitions of oral tradition among performance studies scholars in the National Communication Assoc...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
Definitions of oral tradition among performance studies scholars in the National Communication Assoc...
For a folklorist it is difficult to think about oral tradition other than through the perspectives p...
Oral tradition is characterized by three qualities: 1) It is shared orally among people who, to vary...
In the vast system of forms and modes of communication denominated by the syntagma "oral" tradition,...
Oral tradition has become a domain of great interest to scholars of different disciplines of knowled...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
Oral history projects often are designed to collect the stories not told in official historical docu...
When I arrived at the University of North Carolina at Chapel Hill in 1986 to teach Performance Studi...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
Tradition is communication, the passing on of (social) culture through shared practices and lore. It...
Oral history relies on performativity for inheritance and representation, and the performance of ora...
Definitions of oral tradition among performance studies scholars in the National Communication Assoc...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
My current research focuses on the interpretive traditions behind lyric songs in Northern Europe. In...
In the field of folklore, the study of "oral tradition" cannot be an either/or proposition. Rather, ...
Definitions of oral tradition among performance studies scholars in the National Communication Assoc...
For a folklorist it is difficult to think about oral tradition other than through the perspectives p...
Oral tradition is characterized by three qualities: 1) It is shared orally among people who, to vary...
In the vast system of forms and modes of communication denominated by the syntagma "oral" tradition,...
Oral tradition has become a domain of great interest to scholars of different disciplines of knowled...
My field is performed narratives in Japan, especially genres with a strong musical component. In Jap...
Oral history projects often are designed to collect the stories not told in official historical docu...
When I arrived at the University of North Carolina at Chapel Hill in 1986 to teach Performance Studi...
The oral tradition is a field defined by what it is not--it is oral, not written. But the barrier be...
Tradition is communication, the passing on of (social) culture through shared practices and lore. It...