What is "the state of the art" as regards the study of literature and oral tradition? That question will have as many answers as there are people to respond. The point most worth making may be that though the battle was lost, the war has been won. By "the battle," what I mean is the heroic attempt made by Milman Parry, Albert B. Lord, and many other scholars during the mid-twentieth century to determine the mode of composition, whether oral or written, of the Homeric epics, Beowulf, and works of a similar character deriving from the ancient or medieval world.Not
In reviewing the history of scholarship in the field of oral literature, we find that the theory of ...
This chapter outlines the �discovery� in the twentieth century of oral traditional art, from the per...
Whereas one might reasonably expect to gain a great deal from a close examination of the oral-writte...
What is “the state of the art ” as regards the study of literature and oral tradition? That questio...
What is "the state of the art" as regards the study of literature and oral tradition? That question ...
Anyone who sets out to discuss Beowulf as an oral poem immediately places him- or herself on some ra...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
Early studies of oral epic literature, that is, of epic literature composed without the aid of writi...
The epic is an intriguing genre, claiming its place in both oral and written systems. Ever since the...
This title leads the reader directly to the book’s main business: imparting useful strategies for re...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
To echo O'Brien O'Keeffes words, "committing the work to writing involves loss and gain." The loss I...
'Beowulf' has long been considered a written poem, and it is my intention to suggest that it may in...
For societies in which traditions are conveyed more through speech than through writing, oral litera...
Work done recently in the fields of linguistics (grammar of speech) and cognitive science (on memori...
In reviewing the history of scholarship in the field of oral literature, we find that the theory of ...
This chapter outlines the �discovery� in the twentieth century of oral traditional art, from the per...
Whereas one might reasonably expect to gain a great deal from a close examination of the oral-writte...
What is “the state of the art ” as regards the study of literature and oral tradition? That questio...
What is "the state of the art" as regards the study of literature and oral tradition? That question ...
Anyone who sets out to discuss Beowulf as an oral poem immediately places him- or herself on some ra...
Symposium: Rules for Art in Oral TraditionProceedings from the 1988 Modern Language Association sect...
Early studies of oral epic literature, that is, of epic literature composed without the aid of writi...
The epic is an intriguing genre, claiming its place in both oral and written systems. Ever since the...
This title leads the reader directly to the book’s main business: imparting useful strategies for re...
Since it was first brought into modern critical consciousness by Milman Parry over half a century ag...
To echo O'Brien O'Keeffes words, "committing the work to writing involves loss and gain." The loss I...
'Beowulf' has long been considered a written poem, and it is my intention to suggest that it may in...
For societies in which traditions are conveyed more through speech than through writing, oral litera...
Work done recently in the fields of linguistics (grammar of speech) and cognitive science (on memori...
In reviewing the history of scholarship in the field of oral literature, we find that the theory of ...
This chapter outlines the �discovery� in the twentieth century of oral traditional art, from the per...
Whereas one might reasonably expect to gain a great deal from a close examination of the oral-writte...