Understanding how words and music combine to produce a song has occupied musicians and poets for centuries. The relationships that words and music form make the task of achieving such an understanding complex and never ending, but important to pursue, because of the centrality of song as a mode of human expression. This thesis examines the relationship between text and music in the seventeenth-century French air de cour and how an attempt to translate them into English diminished their aesthetic potency. Central to this thesis is a case study of Edward Filmer’s 1629 collection French court-aires with their ditties Englished
© 2012 Daniel Russo-BatterhamThis thesis comprises an edition and critical study of the sixty-two an...
The social status of singing changed radically over the course of the nineteenth century. During the...
[52] p. : musicA collection of works by Pierre Guédron and Anthoyne Boesset, with most of the lute ...
In the late sixteenth century, the French royal court was mobile. To distinguish itself from the res...
Le répertoire profane imprimé dans la seconde moitié du XVIe siècle et au début du XVIIe siècle est ...
This study probes the relationship of rhetoric and French music, specifically in the airs published ...
Recent scholarship in the humanities has scrutinized the ways in which constructions of national ide...
Although considerable attention has been paid to the texting practices of specific composers and cer...
This project aims to explore the relationship between French airs de cour and English ayres (or airs...
This article is an analysis and a comparison of German and French special language of music in the 1...
It is widely recognized that while Francis I ruled France (1515-47) royal musicians produced a large...
Jean Millet's L Art de bien chanter (1666), describes the air de cour and its ornamentation as it ex...
While the reception of Italian opera in seventeenth-century France is now well known, questions rema...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
This dissertation examines music and text circulation in cosmopolitan Europe during the last decades...
© 2012 Daniel Russo-BatterhamThis thesis comprises an edition and critical study of the sixty-two an...
The social status of singing changed radically over the course of the nineteenth century. During the...
[52] p. : musicA collection of works by Pierre Guédron and Anthoyne Boesset, with most of the lute ...
In the late sixteenth century, the French royal court was mobile. To distinguish itself from the res...
Le répertoire profane imprimé dans la seconde moitié du XVIe siècle et au début du XVIIe siècle est ...
This study probes the relationship of rhetoric and French music, specifically in the airs published ...
Recent scholarship in the humanities has scrutinized the ways in which constructions of national ide...
Although considerable attention has been paid to the texting practices of specific composers and cer...
This project aims to explore the relationship between French airs de cour and English ayres (or airs...
This article is an analysis and a comparison of German and French special language of music in the 1...
It is widely recognized that while Francis I ruled France (1515-47) royal musicians produced a large...
Jean Millet's L Art de bien chanter (1666), describes the air de cour and its ornamentation as it ex...
While the reception of Italian opera in seventeenth-century France is now well known, questions rema...
Françoise Dartois-Lapeyre : Balletic opera and the French court. Balletic opera, that most typical ...
This dissertation examines music and text circulation in cosmopolitan Europe during the last decades...
© 2012 Daniel Russo-BatterhamThis thesis comprises an edition and critical study of the sixty-two an...
The social status of singing changed radically over the course of the nineteenth century. During the...
[52] p. : musicA collection of works by Pierre Guédron and Anthoyne Boesset, with most of the lute ...