Графика А.М.Ремизова и художественный авангард

The article discusses the interaction between image and text in the creativity by Alexei Remizov, features the artistic space of the paintings and collages of the author, their composition and optical characteristics. All his life Alexei Remizov drew graphic diary, where he painted the events of the dream and daytime events. He was the Illustrator of his books of dreams, fairy tales and legends, and books of his close-minded writers, interact with the artists-symbolists of the «World of Art» («Mir Iskusstva») and avant-garde artists of «Blue Rider» («Siniy Vsadnik»). His works during the life has been exhibited in galleries in Germany, France, and Czechoslovakia. The article analyzes the graphics of Alexei Remizov and its dreaming ori-gins in the context of the artistic avant-garde of the early twentieth century. In Remizov graphic art intertwines the various currents of the avant-garde: futurism, abstractionism, primitivism, etc. The Paradigm of a dream deter-mined by the art of avant-garde artists who created their masterpieces under the laws of non-Euclidean geometry. With the help of special artistic practi-ces, they tried to enter the imaginary space of dreams. In the spirit of the avant-garde quest of 1910-ies – 1920-ies, Remizov, discovered for himself the fourth dimension of dreams, portrayed things and phenomena that are inaccessible to ordinary vision. The entire Russian culture, he believed grew out of the dreams. Author's mythology of the conditional space of dreams and secret vision of the dreamer has identified the creative search of the author