Add to ORKGThis commissioned report inaugurates a new publication series for the European Centre for Creative Economy (Dortmund, Germany). It's purpose was to initiate a policy debate, which is now echoing in EU cultural policy circles and which is the subject of a major research consortium project: European Research Partnership on Cultural and Creative Spillovers
This book develops important new insights into the conditions that enable effective collaborations b...
The ‘creative industries’ idea does not belong to anyone, and its orphan status in the disciplinary ...
This paper compares and contrasts the instruments and values formulated in the creative industries p...
Arts and cultural organisations all across Europe are continually faced with demands to justify thei...
This is a summary of a protracted research investigation, entitled the European Partnership on Cultu...
This e-Compendium is a compilation of the European Research Partnership on Cultural and Creative Spi...
A co-authored paper was published in advance of this conference. This text was delivered as an indiv...
European integration has traditionally been aimed at the reduction of barriers to intra European tra...
This conference paper was written as a 'trialogue', or discussion-based statements made by three aut...
In this transcribed conversation, three artists from the research group The Cultural Negotiation of ...
This paper uses the South West Creative Technology Network (SWCTN) in the South West, UK, as a case ...
The concept of creative industries is now well established in both academic and policy discourse. Hi...
It has now been over a decade since the concept of creative industries was first put into the public...
Over the past years, European cultural organizations have initiated several transnational literary p...
The severity of the global economic crisis has put the spotlight firmly on measuring academic and re...
This book develops important new insights into the conditions that enable effective collaborations b...
The ‘creative industries’ idea does not belong to anyone, and its orphan status in the disciplinary ...
This paper compares and contrasts the instruments and values formulated in the creative industries p...
Arts and cultural organisations all across Europe are continually faced with demands to justify thei...
This is a summary of a protracted research investigation, entitled the European Partnership on Cultu...
This e-Compendium is a compilation of the European Research Partnership on Cultural and Creative Spi...
A co-authored paper was published in advance of this conference. This text was delivered as an indiv...
European integration has traditionally been aimed at the reduction of barriers to intra European tra...
This conference paper was written as a 'trialogue', or discussion-based statements made by three aut...
In this transcribed conversation, three artists from the research group The Cultural Negotiation of ...
This paper uses the South West Creative Technology Network (SWCTN) in the South West, UK, as a case ...
The concept of creative industries is now well established in both academic and policy discourse. Hi...
It has now been over a decade since the concept of creative industries was first put into the public...
Over the past years, European cultural organizations have initiated several transnational literary p...
The severity of the global economic crisis has put the spotlight firmly on measuring academic and re...
This book develops important new insights into the conditions that enable effective collaborations b...
The ‘creative industries’ idea does not belong to anyone, and its orphan status in the disciplinary ...
This paper compares and contrasts the instruments and values formulated in the creative industries p...