Add to ORKGGrave J. Uncanny Images. The »Night Sides« oft he Visual Arts around 1800. In: Krämer F, ed. Dark Romanticism. From Goya to Max Ernst. Ostfildern: Hatje Cantz; 2012: 30-40
Examining the painting Woman, Old Man, and Flower (1923–24) by Max Ernst with macro-X-ray fluorescen...
Elisabeth Lavezzi : Painting and scientific knowledge. The case of Jacques Gautier d'Agoty's Observa...
The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissanc...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
Includes bibliographical references (pages [68]-70)The visual imagery in the paintings of Caspar Dav...
The author analyses the oeuvre of the German expressionist painter Gabriel von Max to trace 19th cen...
ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries -...
Conventionally lauded as the luminous Age of Reason in which the fogs of religious superstition lift...
Max Ernst was a painter, sculptor and printmaker. He was born in Germany, but he lived in Paris and ...
textThis thesis takes the form of a meta-criticism of the hermeneutics of the art-historical enterpr...
At the beginning of the submitted thesis is presented Albrecht Dürer's engraving "Melencolia I" from...
Pariset François-Georges. Folke Nordström, Goya, Saturn and Melancholy, Studies in the Art of Goya. ...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
With the discoveries made by Schliemann, the increasing evidence from other cultures around the worl...
As is so frequently pointed out, Francisco Goya is the originator of the modern arts. It is certain ...
Examining the painting Woman, Old Man, and Flower (1923–24) by Max Ernst with macro-X-ray fluorescen...
Elisabeth Lavezzi : Painting and scientific knowledge. The case of Jacques Gautier d'Agoty's Observa...
The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissanc...
While the popular belief that Francisco de Goya (1746–1828) turned suddenly to dark, irrational subj...
Includes bibliographical references (pages [68]-70)The visual imagery in the paintings of Caspar Dav...
The author analyses the oeuvre of the German expressionist painter Gabriel von Max to trace 19th cen...
ANNOTATION: The work The Mirror of Reality in the Imagery of Dreams of the 19th and 20th Centuries -...
Conventionally lauded as the luminous Age of Reason in which the fogs of religious superstition lift...
Max Ernst was a painter, sculptor and printmaker. He was born in Germany, but he lived in Paris and ...
textThis thesis takes the form of a meta-criticism of the hermeneutics of the art-historical enterpr...
At the beginning of the submitted thesis is presented Albrecht Dürer's engraving "Melencolia I" from...
Pariset François-Georges. Folke Nordström, Goya, Saturn and Melancholy, Studies in the Art of Goya. ...
During the first half on the nineteenth century, France developed an interest in Spanish art. Franci...
With the discoveries made by Schliemann, the increasing evidence from other cultures around the worl...
As is so frequently pointed out, Francisco Goya is the originator of the modern arts. It is certain ...
Examining the painting Woman, Old Man, and Flower (1923–24) by Max Ernst with macro-X-ray fluorescen...
Elisabeth Lavezzi : Painting and scientific knowledge. The case of Jacques Gautier d'Agoty's Observa...
The article compares the aesthetic notions of the "je ne sais quoi" (as it emerges in the Renaissanc...