Woolhouse’s (2010) central empirical finding is a relatively high correlation between his interval-cycle proximity (ICP) model and the theorist Walter Piston’s (1979) Table of Usual Root Progressions. The fit between these two models can be understood in terms of a classification of chord progressions by root interval class (second, third, fifth) and directionality (strong, weak). The ICP model does not perform as well on data on chord progressions in Tymoczko’s (forthcoming) corpora of music by Bach and Mozart. The alternative MHP model (Quinn, 2010) does not fit the Piston data as well as the ICP model, but it fits the corpus data better than the ICP model
This report presents a psychoacoustically derived computational model of the perceived distance betw...
International audienceIn tonal music, musical tension is strongly associated with musical expression...
Music is an integral part of our everyday lives. Through continuous exposure to a particular music s...
The issue of the emergence of major-minor tonality is addressed by recourse to a novel pitch groupin...
Tonal harmony is one of the central organization systems of Western music. This article characterize...
Abstract Tonal harmony is one of the central organization systems of Western music. This article ch...
Drawing on the author’s Dual Interval Space methodology, this essay uses a Tonnetz model to explore ...
This dissertation examines the use of interval cycles in non-dodecaphonic works of Kurtág. The first...
The theory of harmonic vectors (THV) postulates that of the six possible root progressions in a give...
The dissertation explores the use of interval cycles and their relationships with the tonal framewo...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Cohn (1996) and Taruskin (1985) consider the increasing prominence during the nineteenth century of ...
Contains fulltext : 5537.pdf (publisher's version ) (Open Access)Fifth Internation...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Tonal affinity is the perceived goodness of fit of successive tones. It is important because a prefe...
This report presents a psychoacoustically derived computational model of the perceived distance betw...
International audienceIn tonal music, musical tension is strongly associated with musical expression...
Music is an integral part of our everyday lives. Through continuous exposure to a particular music s...
The issue of the emergence of major-minor tonality is addressed by recourse to a novel pitch groupin...
Tonal harmony is one of the central organization systems of Western music. This article characterize...
Abstract Tonal harmony is one of the central organization systems of Western music. This article ch...
Drawing on the author’s Dual Interval Space methodology, this essay uses a Tonnetz model to explore ...
This dissertation examines the use of interval cycles in non-dodecaphonic works of Kurtág. The first...
The theory of harmonic vectors (THV) postulates that of the six possible root progressions in a give...
The dissertation explores the use of interval cycles and their relationships with the tonal framewo...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Cohn (1996) and Taruskin (1985) consider the increasing prominence during the nineteenth century of ...
Contains fulltext : 5537.pdf (publisher's version ) (Open Access)Fifth Internation...
From the seventeenth century to the present day, tonal harmonic music has had a number of invariant ...
Tonal affinity is the perceived goodness of fit of successive tones. It is important because a prefe...
This report presents a psychoacoustically derived computational model of the perceived distance betw...
International audienceIn tonal music, musical tension is strongly associated with musical expression...
Music is an integral part of our everyday lives. Through continuous exposure to a particular music s...