Bolinger, Ohala, Morton and others have established that vocal pitch height is perceived to be associated with social signals of dominance and submissiveness: higher vocal pitch is associated with submissiveness, whereas lower vocal pitch is associated with social dominance. An experiment was carried out to test this relationship in the perception of non-vocal melodies. Results show a parallel situation in music: higher-pitched melodies sound more submissive (less threatening) than lower-pitched melodies
ABSTRACT: Forty-four participants were asked to sing moderate, high, and low pitches while their fac...
The ethological model called the Frequency Code developed by Ohala (1983, 1984) postulates a correla...
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower...
SRI International ABSTRACT: Bolinger, Ohala, Morton and others have established that vocal pitch hei...
Increasingly, the Arts and Humanities and Science fields are finding common ground, as illustrated i...
Forty-four participants were asked to sing moderate, high, and low pitches while their faces were ...
Udgivelsesdato: 2009Forty-four participants were asked to sing moderate, high, and low pitches whil...
ABSTRACT: Research in speech prosody and ethology suggests that pitch height indexes positive and ne...
Communicating in tone language involves the use of lexical tone as a cue to determine the meaning of...
During the early twentieth century, art music composers pushed Western tonality to the limits and ev...
This study was a first-step investigation of the efficacy of signal loudness when engaging in listen...
Two experiments are reported in which a pitch-level difference (PLD) model for prominence perception...
Research on tonal priming has consistently shown that tonally expected events are processed more eff...
Our daily interactions are predominantly influenced by face-to-face and other verbal forms of commun...
compared the affective consequences of manipulating intensity, rate, and pitch height in music and s...
ABSTRACT: Forty-four participants were asked to sing moderate, high, and low pitches while their fac...
The ethological model called the Frequency Code developed by Ohala (1983, 1984) postulates a correla...
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower...
SRI International ABSTRACT: Bolinger, Ohala, Morton and others have established that vocal pitch hei...
Increasingly, the Arts and Humanities and Science fields are finding common ground, as illustrated i...
Forty-four participants were asked to sing moderate, high, and low pitches while their faces were ...
Udgivelsesdato: 2009Forty-four participants were asked to sing moderate, high, and low pitches whil...
ABSTRACT: Research in speech prosody and ethology suggests that pitch height indexes positive and ne...
Communicating in tone language involves the use of lexical tone as a cue to determine the meaning of...
During the early twentieth century, art music composers pushed Western tonality to the limits and ev...
This study was a first-step investigation of the efficacy of signal loudness when engaging in listen...
Two experiments are reported in which a pitch-level difference (PLD) model for prominence perception...
Research on tonal priming has consistently shown that tonally expected events are processed more eff...
Our daily interactions are predominantly influenced by face-to-face and other verbal forms of commun...
compared the affective consequences of manipulating intensity, rate, and pitch height in music and s...
ABSTRACT: Forty-four participants were asked to sing moderate, high, and low pitches while their fac...
The ethological model called the Frequency Code developed by Ohala (1983, 1984) postulates a correla...
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower...