Empat Koreografer Tari Kontemporer Indonesia Periode 1990-2008

This research will elaborate four Indonesian contemporary choreographers, which lead to open the signifi cant of embodiment process on Indonesian dancers. With a focus on four choreographers, Martinus Miroto, Mugiyono Kasido, Hartati, and Jecko Siompo. A case study of body of those four choreographers has reached its “institutional” level, so choosing those four characters, as a representation of Indonesian dancer is the right thing to do. With the complexity discipline and body work training, the four dancers and choreographer strengthening on how procession to achieve and advancing body work is located in some important process: exercise, training, and performance. This is diff erent from the process of body works quality and the achievement of most dancers and choreographer outside of Indonesia. Usually the dancers outside of Indonesia only stress on two things: Training and performance. The four dancers in the work have had a typical body works each of them, but it is undeniable that there is a role in the respective Sardono as the maestro. Sardono’s strong infl uence thus again took place in forming a model to the body or body-dance att itude of dancers who then the outcome was, in fact, diff erent from Sardono’s works