This essay discusses dance film and video dance. The first was born of the manifold possibilities of chemical technology, while the second exploits the rich resources of digital technology and its freedom from material constraints. Now wholly in digital form, both technologies offer new possibilities for the dance arts by developing and enhancing the possibilities and powers of dance experience. This essay describes those possibilities and their contribution to dance appreciation
'Video dance', it is argued, embodies a creative investigation of dance and television, and can be i...
I propose that a learnt somatic experience of dance can translate into another discipline such as vi...
This practice-based research examines interactive and immersive technologies from the perspective of...
The purpose of this study is to investigate new tools for the artistic expression, which allow artis...
This article discusses the dance performance project Interface 2, which involved live dancers, anima...
A general view of various ways in which virtual dance can be understood is presented in the first pa...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
Defining art is very complex but there is a universal understanding that art embraces something inta...
Discourse on music videos widely views and examines the image within the video, along with the visua...
Exploring the interaction between live and digital dancer I ask: how can digital technologies such a...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
'Video dance', it is argued, embodies a creative investigation of dance and television, and can be i...
I propose that a learnt somatic experience of dance can translate into another discipline such as vi...
This practice-based research examines interactive and immersive technologies from the perspective of...
The purpose of this study is to investigate new tools for the artistic expression, which allow artis...
This article discusses the dance performance project Interface 2, which involved live dancers, anima...
A general view of various ways in which virtual dance can be understood is presented in the first pa...
The development of cinema and the development of modern dance are so deeply intertwined, that two le...
No abstract availableThis review essay was originally published by Parallel Press, an imprint of the...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
This chapter explores technology’s role as a key creative agent within digital dance performance mak...
Defining art is very complex but there is a universal understanding that art embraces something inta...
Discourse on music videos widely views and examines the image within the video, along with the visua...
Exploring the interaction between live and digital dancer I ask: how can digital technologies such a...
Dance and film are two distinct mediums of expression. Movement drives both of these art forms and ...
Due to the recentness of the field of dance filmmaking, little research exists on the difference bet...
'Video dance', it is argued, embodies a creative investigation of dance and television, and can be i...
I propose that a learnt somatic experience of dance can translate into another discipline such as vi...
This practice-based research examines interactive and immersive technologies from the perspective of...
DOI
Add to ORKG