Surveys the contemporary and modern designations of the genre of Shakespeare’s Troilus and Cressida. Considers the gothic, not the humanistic, character of chivalric romance and the range of chivalric romances both idealistic and satirical. Accepting the medieval treatment of The Iliad as chivalric in nature, views Shakespeare’s play as a combination idealistic and satirical strains and the genre of the play as satirical romance
Troilus and Cressida and the Fall of Troy The plot of Troilus and Cressida has often puzzled specta...
Shakespeare's Troilus and Cressida reflects his reading of Lydgate and Caxton's medieval Trojan epic...
This essay examines the critical receptions and stage adaptations of Shakespeare's plays from the pe...
Theoretical thesis.Bibliography: pages 79-99.Introduction -- Chapter One. Cultural and critical cont...
The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written ...
Questions concerning whether Shakespeare wrote for the stage or the page are a perennial issue in Sh...
A central problem in interpreting Troilus and Cressida has been its unusual dramatic structure, whic...
Shakespeare’s play Troilus and Cressida has long been considered as a «problem play » . It is not me...
This paper discusses the subversion of the epic and medieval romance tradition through the elements...
Literature and theatre have traditionally used exempla based on historical or classical models as a ...
The purpose of the following study has been to consider Shakespeare\u27s interpretation of the Troil...
If Shakespeare’s Renaissance contemporaries were keen on efficiency and “progress” (in the sense of ...
The popularity of Marlowe\u27s The Jew of Malta and Shakespeare\u27s Troilus and Cressida on the mod...
This paper argues for Romeo and Juliet as three kinds of play cooperating on distinct levels. The ma...
This article proposes a stylistic reading of Shakespeare’s Troilus and Cressida, aiming to show how ...
Troilus and Cressida and the Fall of Troy The plot of Troilus and Cressida has often puzzled specta...
Shakespeare's Troilus and Cressida reflects his reading of Lydgate and Caxton's medieval Trojan epic...
This essay examines the critical receptions and stage adaptations of Shakespeare's plays from the pe...
Theoretical thesis.Bibliography: pages 79-99.Introduction -- Chapter One. Cultural and critical cont...
The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written ...
Questions concerning whether Shakespeare wrote for the stage or the page are a perennial issue in Sh...
A central problem in interpreting Troilus and Cressida has been its unusual dramatic structure, whic...
Shakespeare’s play Troilus and Cressida has long been considered as a «problem play » . It is not me...
This paper discusses the subversion of the epic and medieval romance tradition through the elements...
Literature and theatre have traditionally used exempla based on historical or classical models as a ...
The purpose of the following study has been to consider Shakespeare\u27s interpretation of the Troil...
If Shakespeare’s Renaissance contemporaries were keen on efficiency and “progress” (in the sense of ...
The popularity of Marlowe\u27s The Jew of Malta and Shakespeare\u27s Troilus and Cressida on the mod...
This paper argues for Romeo and Juliet as three kinds of play cooperating on distinct levels. The ma...
This article proposes a stylistic reading of Shakespeare’s Troilus and Cressida, aiming to show how ...
Troilus and Cressida and the Fall of Troy The plot of Troilus and Cressida has often puzzled specta...
Shakespeare's Troilus and Cressida reflects his reading of Lydgate and Caxton's medieval Trojan epic...
This essay examines the critical receptions and stage adaptations of Shakespeare's plays from the pe...