This thesis examines the aesthetic theories by Francis Hutcheson and David Hume, two of the most influential philosophers of the eighteenth century. Focused on the interpretation of both theories, it concentrates on the issue of human taste, in particular, aesthetic taste, including questions concerning people’s external sense (sensation) and internal sense (sensations), what the differences are between better taste and worse taste, how people possible improve taste by practice, examples, customs, education, and the like. It concludes with a criticism on both philosophers’ works and a positive argument on the explanation of better and worse taste. Primary texts include Hutcheson’s Inquiry concerning Beauty, Order, Harmony and Design and Hum...
This article addresses Hume’s attempt to conciliate the acknowledgement of diversity in aesthetic ju...
The author puts forward a set of assumptions and possible context for examining the connection betwe...
The topic of this bachelor's thesis is the interpretation of the reflections of the British aestheti...
This thesis examines the aesthetic theories by Francis Hutcheson and David Hume, two of the most inf...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
Hutcheson's Aesthetic Theories. Relationship between natural and artificial beaut
Past research on folk aesthetics has suggested that most people are subjectivists when it comes to a...
This essay considers the foundation of aesthetic judgment, moving from the apparent contradiction be...
IT IS my purpose here to lay bare the changes—the progress, if you will— in the 'aesthetic sent...
My dissertation is a historical study which attempts to recover the classical synthesis of aesthetic...
The aesthetic skeptic maintains that it is futile to dispute about taste. One and the same work of ...
This paper addresses two key works in the eighteenth-century debate on the problem of taste: the Abb...
David Hume’s essay “Of the Standard of Taste” (1757)—which represents a major step towards clarifyin...
The starting point for my analysis of nineteenth-century criticism is the recognition that the word ...
The Government of the Senses is a study of how the changes in aesthetic culture that occurred in the...
This article addresses Hume’s attempt to conciliate the acknowledgement of diversity in aesthetic ju...
The author puts forward a set of assumptions and possible context for examining the connection betwe...
The topic of this bachelor's thesis is the interpretation of the reflections of the British aestheti...
This thesis examines the aesthetic theories by Francis Hutcheson and David Hume, two of the most inf...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
Hutcheson's Aesthetic Theories. Relationship between natural and artificial beaut
Past research on folk aesthetics has suggested that most people are subjectivists when it comes to a...
This essay considers the foundation of aesthetic judgment, moving from the apparent contradiction be...
IT IS my purpose here to lay bare the changes—the progress, if you will— in the 'aesthetic sent...
My dissertation is a historical study which attempts to recover the classical synthesis of aesthetic...
The aesthetic skeptic maintains that it is futile to dispute about taste. One and the same work of ...
This paper addresses two key works in the eighteenth-century debate on the problem of taste: the Abb...
David Hume’s essay “Of the Standard of Taste” (1757)—which represents a major step towards clarifyin...
The starting point for my analysis of nineteenth-century criticism is the recognition that the word ...
The Government of the Senses is a study of how the changes in aesthetic culture that occurred in the...
This article addresses Hume’s attempt to conciliate the acknowledgement of diversity in aesthetic ju...
The author puts forward a set of assumptions and possible context for examining the connection betwe...
The topic of this bachelor's thesis is the interpretation of the reflections of the British aestheti...