Add to ORKGGeorge D. Sawa studied music at the Higher Institute for the Studies of Arabic Music in Alexandria, Egypt between 1966 and 1970, and received his Ph.D. in 1983 from the University of Toronto. He as a joint appointment at the Department of Music and Department of Middle East and Islamic Studies at Toronto, where he teaches the history of Arabic music
Shatzmiller Maya. George Dimitri Sawa, Music Performance Practice in the Early 'Abhāsid Era 132-320 ...
What can we learn about the Intellectual history of the pre-modern Islamic world by examining the sc...
Despite a near-universal acknowledgement of the Prophet Muḥammad’s supreme eloquence in the Islamic ...
In this article I shall study the nature, process, and problems of oral transmission in Arabic music...
There are a number of misunderstandings about ancient oral transmission that negatively affect the w...
There are a number of misunderstandings about ancient oral transmission that negatively affect the w...
he discovery, from the 1960s until the present, of a small corpus of about twenty texts concerning s...
Of all the musical traditions in the world among which fruitful comparisons with medieval European c...
This study is a compilation and compendium of information on the oud, the most important instrument ...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
This article bases its arguments mainly on data found in secondary literature about the propriety...
Abstract: This paper attempts to look at the tradition of orality in pre-Islamic Arabic literature b...
How is it possible to arrive at musical sound from a written document? Is it possible by reading onl...
The synthesizer is ubiquitous on the Arab–American musical scene. Heard at every party, and on every...
"The subject of this paper is the multiple intersections between oral performance and the written na...
Shatzmiller Maya. George Dimitri Sawa, Music Performance Practice in the Early 'Abhāsid Era 132-320 ...
What can we learn about the Intellectual history of the pre-modern Islamic world by examining the sc...
Despite a near-universal acknowledgement of the Prophet Muḥammad’s supreme eloquence in the Islamic ...
In this article I shall study the nature, process, and problems of oral transmission in Arabic music...
There are a number of misunderstandings about ancient oral transmission that negatively affect the w...
There are a number of misunderstandings about ancient oral transmission that negatively affect the w...
he discovery, from the 1960s until the present, of a small corpus of about twenty texts concerning s...
Of all the musical traditions in the world among which fruitful comparisons with medieval European c...
This study is a compilation and compendium of information on the oud, the most important instrument ...
When I was invited to read a paper on the theme of this conference, namely anthropology and music, I...
This article bases its arguments mainly on data found in secondary literature about the propriety...
Abstract: This paper attempts to look at the tradition of orality in pre-Islamic Arabic literature b...
How is it possible to arrive at musical sound from a written document? Is it possible by reading onl...
The synthesizer is ubiquitous on the Arab–American musical scene. Heard at every party, and on every...
"The subject of this paper is the multiple intersections between oral performance and the written na...
Shatzmiller Maya. George Dimitri Sawa, Music Performance Practice in the Early 'Abhāsid Era 132-320 ...
What can we learn about the Intellectual history of the pre-modern Islamic world by examining the sc...
Despite a near-universal acknowledgement of the Prophet Muḥammad’s supreme eloquence in the Islamic ...