The exhibition contained works owned by the museum, dating from 1977 to 2012, now numbering 19 since the donation of 9 pieces from the Ed Wolf Collection. Additional pieces in the retrospective cases were sourced from Ed Wolf’s and other private collections, and ten unseen new works, 2015, on open display. In total 65 works were presented. Two wall cases held approximately 36 works on glass shelves in the ‘ study collection’ mode of V&A displays. Three freestanding glass cases housed 3 - 5 pieces each in a more spacious arrangement. These focussed on works from late 80s/early 90s in the first, late 90s in the second, and more recent works from 2 exhibitions, most made of red clay, from 2012, in the third
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Dissemination context: Contemporary British Ceramics: Beneath the Surface is a landmark exhibition ...
Catalogue essay , one of three, in the catalogue 'Angus Suttie' for a retrospective exhibition at Ru...
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
This exhibition at Marsden Woo Gallery, London (2012) consisted of 12 hand-built ceramic works prese...
Britton collaborated with Norwegian artist Marit Tingleff in this duo, to extend the dialogue betwee...
The Tweed Museum of Art is proud to announce an exhibition of fine studio ceramics by masters in the...
This solo exhibition was the culmination of a two year appointment as Associate Artist at the Wallac...
An exhibition of British Studio Pottery, commissioned and presented first at the Yale Center for Bri...
An exhibition co-curated with Anthony Quinn celebrating a century of ceramics at the Central School ...
This CSC exhibition focuses on a number of themes, including: works in the Leach Pottery Permanent C...
The fiftieth anniversary of the University of Warwick also marks the fiftieth anniversary of its Art...
This solo exhibition brought together a body of work that addressed the relationship between materia...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Dissemination context: Contemporary British Ceramics: Beneath the Surface is a landmark exhibition ...
Catalogue essay , one of three, in the catalogue 'Angus Suttie' for a retrospective exhibition at Ru...
This foreword was published in a catalogue to accompany the exhibition 'Life and Still Life', at the...
This book gathers together a selection of Britton’s writings, including new, previously unpublished ...
Four ceramic works were chosen for the exhibitions. In Yale Center for British Art Leaning Blue and ...
This exhibition at Marsden Woo Gallery, London (2012) consisted of 12 hand-built ceramic works prese...
Britton collaborated with Norwegian artist Marit Tingleff in this duo, to extend the dialogue betwee...
The Tweed Museum of Art is proud to announce an exhibition of fine studio ceramics by masters in the...
This solo exhibition was the culmination of a two year appointment as Associate Artist at the Wallac...
An exhibition of British Studio Pottery, commissioned and presented first at the Yale Center for Bri...
An exhibition co-curated with Anthony Quinn celebrating a century of ceramics at the Central School ...
This CSC exhibition focuses on a number of themes, including: works in the Leach Pottery Permanent C...
The fiftieth anniversary of the University of Warwick also marks the fiftieth anniversary of its Art...
This solo exhibition brought together a body of work that addressed the relationship between materia...
This essay balanced similar contributions based on archive research by companion authors (Muriel Wil...
Dissemination context: Contemporary British Ceramics: Beneath the Surface is a landmark exhibition ...
Catalogue essay , one of three, in the catalogue 'Angus Suttie' for a retrospective exhibition at Ru...