The media is not only a source of entertainment, it is also a way to better understand ourselves and a means to shape our identities. The purpose of different types of communication are never neutral, there is always a discourse and an underlying meaning at work. By continually portraying women as stereotypical characters, the patriarchal discourse is reproduced and perpetuates an unequal view of women in society. It is possible to reconstruct the hegemonic male domination and representation is key if there is a change to be had in this area. Thus, it is of utter importance to create productions that showcase a vast variety of social and gender roles. The purpose of this essay is to analyse female representation in visual media with a prima...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
This paper looks at 42 ‘family saga’ novels written by and for women so as to interrogate issues rai...
I examine the female lead role models presented in different themes and genres of series, thereby wh...
My thesis examines the expressions of the limits and possibilities of female subjectivity in the fou...
My thesis examines the expressions of the limits and possibilities of female subjectivity in the fou...
The development of feminist media studies has been under the influence of various schools of thought...
This thesis outlines my artistic practice from the trait of femininity and self-image. It discusses ...
Media is a big part of people’s everyday lives. It influences both how we see ourselves and the worl...
The dissertation examines cinematic and cultural inscriptions of gender and sexuality through texts ...
This thesis examines the different ways films have explored female presence as a narrative and styli...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
The media is not only a source of entertainment, it is also a way to better understand ourselves and...
This paper looks at 42 ‘family saga’ novels written by and for women so as to interrogate issues rai...
I examine the female lead role models presented in different themes and genres of series, thereby wh...
My thesis examines the expressions of the limits and possibilities of female subjectivity in the fou...
My thesis examines the expressions of the limits and possibilities of female subjectivity in the fou...
The development of feminist media studies has been under the influence of various schools of thought...
This thesis outlines my artistic practice from the trait of femininity and self-image. It discusses ...
Media is a big part of people’s everyday lives. It influences both how we see ourselves and the worl...
The dissertation examines cinematic and cultural inscriptions of gender and sexuality through texts ...
This thesis examines the different ways films have explored female presence as a narrative and styli...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...
Under what conditions can a feminist film historiography be imagined and practised today? How should...