Typologically, pitch-accent languages stand between stress languages like Spanish and tone languages like Shona, and share properties of both. In a stress language typically just one syllable per word is accented and bears the major stress (cf. Spanish sábana ‘sheet’, sabána ‘plain’, Panamá). In a tone language the number of distinctions grows geometrically with the size of the word. So in Shona, which contrasts high vs. low tone, trisyllabic words have eight possible pitch patterns. In a canonical pitch-accent language such as Japanese, just one syllable (or mora) per word is singled out as distinctive, as in Spanish. But each syllable in the word is assigned a high or low tone (as in Shona); however, this assignment is predictable based ...
The central goal of this thesis is to provide a principled account of various pitch accent phenomena...
The primary goal of this paper to propose a new mora-based analysis of loanword accent in the South ...
Tokyo Japanese has a lexical pitch-accent system whereas Seoul Korean features no wordlevel tonal re...
Prior to the fifteenth century, Korean had fewer pitch distinctions than it did in the Middle Korean...
This paper presents an analysis of the pitch patterns of native nouns of contemporary South Kyungsan...
The Korean language appears to be in a transitory state, with some evidence supporting the emergence...
Korean features a three-way contrast among voiceless stops: aspirated, tense, and lenis. Previous st...
Korean features a three-way contrast among voiceless stops: aspirated, tense, and lenis. Previous st...
This paper examines the interaction between pitch accent and segment in North Kyeongsang Korean with...
In this paper, I discuss how unaccented words are realized in lexical pitch accent varieties of Kore...
The paper documents and then discusses the motivation for the loanword adaptation of the four Mandar...
North Kyungsang (NK) Korean is a pitch accent language that uses both high and low tones. NK Korean ...
This thesis investigates the following research questions: (1) Does Korean have a metrical structure...
Acquiring native-like proficiency in a second language (L2) is difficult to achieve after the critic...
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabul...
The central goal of this thesis is to provide a principled account of various pitch accent phenomena...
The primary goal of this paper to propose a new mora-based analysis of loanword accent in the South ...
Tokyo Japanese has a lexical pitch-accent system whereas Seoul Korean features no wordlevel tonal re...
Prior to the fifteenth century, Korean had fewer pitch distinctions than it did in the Middle Korean...
This paper presents an analysis of the pitch patterns of native nouns of contemporary South Kyungsan...
The Korean language appears to be in a transitory state, with some evidence supporting the emergence...
Korean features a three-way contrast among voiceless stops: aspirated, tense, and lenis. Previous st...
Korean features a three-way contrast among voiceless stops: aspirated, tense, and lenis. Previous st...
This paper examines the interaction between pitch accent and segment in North Kyeongsang Korean with...
In this paper, I discuss how unaccented words are realized in lexical pitch accent varieties of Kore...
The paper documents and then discusses the motivation for the loanword adaptation of the four Mandar...
North Kyungsang (NK) Korean is a pitch accent language that uses both high and low tones. NK Korean ...
This thesis investigates the following research questions: (1) Does Korean have a metrical structure...
Acquiring native-like proficiency in a second language (L2) is difficult to achieve after the critic...
S.R. Ramsey writes (1979: 162): "The patterning of tone marks in Old Kyoto texts divides the vocabul...
The central goal of this thesis is to provide a principled account of various pitch accent phenomena...
The primary goal of this paper to propose a new mora-based analysis of loanword accent in the South ...
Tokyo Japanese has a lexical pitch-accent system whereas Seoul Korean features no wordlevel tonal re...