While listeners' emotional response to music is the subject of numerous studies, less attention is paid to the dynamic emotion variations due to the interaction between artists and audiences in live improvised music performances. By opening a direct communication channel from audience members to performers, the Mood Conductor system provides an experimental framework to study this phenomenon. Mood Conductor facilitates interactive performances and thus also has an inherent entertainment value. The framework allows audience members to send emotional directions using their mobile devices in order to ``conduct'' improvised performances. Emotion coordinates indicted by the audience in the arousal-valence space are aggregated and clustered to cr...
Emotion perception of music is subjective and time dependent. Most computational music emotion recog...
Listeners use a combination of global and local factors to assess emotional intent in music. As litt...
Recent studies of music performance have shown that systematic variations in tempo, sound level, art...
Former studies show that removing brightness temporal variations of tones in an expressive clarinet ...
While listeners’ emotional response to music is the subject of numerous studies, less attention is p...
Discovering the acoustical parameters responsible for musical expression is of fundamental interest ...
International audienceThis study deals with the acoustical factors liable to account for expressiven...
Background. Several empirical studies have shown that performer’s musical intentions are conveyed th...
International audienceThe perceptual importance of timbre variations was inves- tigated in clarinet ...
Current music emotion recognition (MER) systems rely on emotion data averaged across listeners and o...
In two studies, we investigated the capacity of compositional structure and performance expression t...
Composers often pick specific instruments to convey a given emotional tone in their music, partly du...
Salient sensory experiences often have a strong emotional tone, but the neuropsychological relations...
Computational systems for generating expressive musical performances have been studied for several d...
I approach timbre here primarily from the perspective of the music creator/producer, and the process...
Emotion perception of music is subjective and time dependent. Most computational music emotion recog...
Listeners use a combination of global and local factors to assess emotional intent in music. As litt...
Recent studies of music performance have shown that systematic variations in tempo, sound level, art...
Former studies show that removing brightness temporal variations of tones in an expressive clarinet ...
While listeners’ emotional response to music is the subject of numerous studies, less attention is p...
Discovering the acoustical parameters responsible for musical expression is of fundamental interest ...
International audienceThis study deals with the acoustical factors liable to account for expressiven...
Background. Several empirical studies have shown that performer’s musical intentions are conveyed th...
International audienceThe perceptual importance of timbre variations was inves- tigated in clarinet ...
Current music emotion recognition (MER) systems rely on emotion data averaged across listeners and o...
In two studies, we investigated the capacity of compositional structure and performance expression t...
Composers often pick specific instruments to convey a given emotional tone in their music, partly du...
Salient sensory experiences often have a strong emotional tone, but the neuropsychological relations...
Computational systems for generating expressive musical performances have been studied for several d...
I approach timbre here primarily from the perspective of the music creator/producer, and the process...
Emotion perception of music is subjective and time dependent. Most computational music emotion recog...
Listeners use a combination of global and local factors to assess emotional intent in music. As litt...
Recent studies of music performance have shown that systematic variations in tempo, sound level, art...