HH is supported by a Distinguished Lorentz fellowship granted by the Lorentz Center for the Sciences and the Netherlands Institute for Advanced Study in the Humanities and Social Sciences (NIAS) and a Horizon grant of the Netherlands Organization for Scientific Research (NWO). BW and MP also received support from the EPSRC Digital Music Platform Grant held at Queen Mary (EP/K009559/1). MP is supported by a grant from the UK Engineering and Physical Science Research Council (EPSRC, EP/M000702/1)
This is a postprint of an article submitted for consideration in Connection Science © 2009 [copyrigh...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
In this paper we take a connectionist machine learning approach to the problem of metre perception a...
We present a novel hypothetical account of entrainment in music and language, in context of the Info...
Generative models of music rhythm are in severe need of performance additions, i.e. inclusions of su...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Contains fulltext : 29845.pdf (publisher's version ) (Open Access)The words Ritme ...
We describe a series of experiments using sequential neural networks to model the effect of contextu...
In this paper we take a connectionist machine learning approach to the problem of metre perception a...
In Part I [Purwins H, Herrera P, Grachten M, Hazan A, Marxer R, Serra X. Computational models of mus...
Many connectionist approaches to musical expectancy and music composition let the question of "...
This is a postprint of an article submitted for consideration in Connection Science © 2009 [copyrigh...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The information content of each successive note in a piece of music is not an intrinsic musical prop...
Engineering and Physical Sciences Research Council (EPSRC) funding via grant EP/M000702/1
This thesis investigates rhythm perception using computational modeling techniques. It develops a se...
With Western, tonal music, the expectedness of any given note or chord can be estimated using variou...
In this paper we take a connectionist machine learning approach to the problem of metre perception a...
We present a novel hypothetical account of entrainment in music and language, in context of the Info...
Generative models of music rhythm are in severe need of performance additions, i.e. inclusions of su...
We have developed a new experimental method for interrogating statistical theories of music percepti...
Contains fulltext : 29845.pdf (publisher's version ) (Open Access)The words Ritme ...
We describe a series of experiments using sequential neural networks to model the effect of contextu...
In this paper we take a connectionist machine learning approach to the problem of metre perception a...
In Part I [Purwins H, Herrera P, Grachten M, Hazan A, Marxer R, Serra X. Computational models of mus...
Many connectionist approaches to musical expectancy and music composition let the question of "...
This is a postprint of an article submitted for consideration in Connection Science © 2009 [copyrigh...
Perception is a constructive mental process, which cannot be considered impersonally. Similarly, mus...
The information content of each successive note in a piece of music is not an intrinsic musical prop...