This report concerns the creative hub, an idea that is commonly associated with other terms such as the creative city and the creative economy. Our aim in this report is to sift the hyperbole and slippery usage of the term ‘creative hub’ (and similar but different terms such as creative quarter, creative district, etc.) and refocus those tasked with making hubs successful operations. We review the history and usage of the idea of the hub, and the particularity of the UK experience, and consider which aspects of this could be translated into other settings; and crucially, which should not. However, we caution against a one-size-fits-all approach to creative hubs, especially one that may seek to generalise from what are particular, albeit enl...
This is the author accepted manuscript. The final version is available from Springer via the DOI in ...
The creative hub concept is gaining popularity globally as a tool within the creative economy to gen...
This paper presents indigenous creative industry issues and presents an argument for the capability ...
A dynamic ecosystem of creative spaces and communities has developed over the last 10 years. This re...
The aim of this paper is to interrogate the idea of the creative hub. It argues that hubs are more t...
How equitable and co-operative are creative hubs? Whilst their image is often one of creative conviv...
This Report is the final of three commissioned in late 2015 by the Directors of the AHRC Creative Ec...
The literature on ‘creative hubs’is scarce. Although the term is currently in wide use in policy cir...
This chapter presents some of the key research findings of Creativeworks London (CWL), focused on th...
The purpose of this report is to capture the creative city experience in everyday terms, drawing on ...
This paper investigates how the concept of the Creative Hub – a term employed to define spaces of cr...
Creative hubs have become a cornerstone of economic and cultural policy with only the barest amount ...
This report is the second of three commissioned in late 2015 by the Directors of the AHRC Creative E...
The chapter critically reflects on the notion of ‘Creative Hubs’ from a higher education perspective...
This report is the first of three commissioned in late 2015 by the Directors of the AHRC Creative Ec...
This is the author accepted manuscript. The final version is available from Springer via the DOI in ...
The creative hub concept is gaining popularity globally as a tool within the creative economy to gen...
This paper presents indigenous creative industry issues and presents an argument for the capability ...
A dynamic ecosystem of creative spaces and communities has developed over the last 10 years. This re...
The aim of this paper is to interrogate the idea of the creative hub. It argues that hubs are more t...
How equitable and co-operative are creative hubs? Whilst their image is often one of creative conviv...
This Report is the final of three commissioned in late 2015 by the Directors of the AHRC Creative Ec...
The literature on ‘creative hubs’is scarce. Although the term is currently in wide use in policy cir...
This chapter presents some of the key research findings of Creativeworks London (CWL), focused on th...
The purpose of this report is to capture the creative city experience in everyday terms, drawing on ...
This paper investigates how the concept of the Creative Hub – a term employed to define spaces of cr...
Creative hubs have become a cornerstone of economic and cultural policy with only the barest amount ...
This report is the second of three commissioned in late 2015 by the Directors of the AHRC Creative E...
The chapter critically reflects on the notion of ‘Creative Hubs’ from a higher education perspective...
This report is the first of three commissioned in late 2015 by the Directors of the AHRC Creative Ec...
This is the author accepted manuscript. The final version is available from Springer via the DOI in ...
The creative hub concept is gaining popularity globally as a tool within the creative economy to gen...
This paper presents indigenous creative industry issues and presents an argument for the capability ...