This article describes the relationship between acoustics and perception in the study of pitch phenomena observed while applying to Russian a method of stylizing fundamental frequency curves for an experimental study of intonation in spontaneous and prepared speech. In a short introduction the method of perceptual analysis/resynthesis is presented. In subsequent sections it is demonstrated that the acoustic representation of a pitch movement does not always reflect our perception of that movement. Therefore, in a perceptual description of intonation, it is necessary to present acoustic as well as perceptual data. It is discussed how pitch movements can be visualized, maintaining both the acoustic and perceptual information. The phenomenon d...
The main aim of this thesis is to establish whether the perception of speech would change if speech ...
Results will be presented showing that accent-lending pitch movements are perceived on a critical-ba...
The question of whether intonation events have a categorical mental representation has long been a p...
This article describes the relationship between acoustics and perception in the study of pitch pheno...
This book presents an experimental-phonetic approach to the study of intonation, defined as the ense...
Past research of intonation at the Institute for Perception Research has been concerned with describ...
<p><em>This article describes a novel approach to discriminating native and nonnative utterances bas...
This paper provides an overview of the role of intonation (prosody) in speech communication, with sp...
This chapter first describes pitch stylization based on a tonal perception model, as implemented in ...
Intonation is considered to be one of the elements of the so called non-verbal communica-tion system...
The book offers an overview of the methodological aspects and issues of intonation, concerning both ...
In this paper a case is made for examining tone perception and particularly phenomena of tonal align...
Studies of musical pitch perception typically treat pitches as if they are stable within a tone. Alt...
A new quantitative model of tonal perception for continuous speech is described. The paper illustrat...
The article consists of two parts. In the first part the issues connected with English-Russian contr...
The main aim of this thesis is to establish whether the perception of speech would change if speech ...
Results will be presented showing that accent-lending pitch movements are perceived on a critical-ba...
The question of whether intonation events have a categorical mental representation has long been a p...
This article describes the relationship between acoustics and perception in the study of pitch pheno...
This book presents an experimental-phonetic approach to the study of intonation, defined as the ense...
Past research of intonation at the Institute for Perception Research has been concerned with describ...
<p><em>This article describes a novel approach to discriminating native and nonnative utterances bas...
This paper provides an overview of the role of intonation (prosody) in speech communication, with sp...
This chapter first describes pitch stylization based on a tonal perception model, as implemented in ...
Intonation is considered to be one of the elements of the so called non-verbal communica-tion system...
The book offers an overview of the methodological aspects and issues of intonation, concerning both ...
In this paper a case is made for examining tone perception and particularly phenomena of tonal align...
Studies of musical pitch perception typically treat pitches as if they are stable within a tone. Alt...
A new quantitative model of tonal perception for continuous speech is described. The paper illustrat...
The article consists of two parts. In the first part the issues connected with English-Russian contr...
The main aim of this thesis is to establish whether the perception of speech would change if speech ...
Results will be presented showing that accent-lending pitch movements are perceived on a critical-ba...
The question of whether intonation events have a categorical mental representation has long been a p...