The phrase \u201cmusical language\u201d is synchronically/diachronically widespread and universally applied to music, and the issue embedded in it is a typically cultural-musical issue that belongs - by definition and par excellence - to the \u201cbroad field of cultural musicology\u201d . Its definition as cultural-musical presupposes that such an issue is musical insofar as it is cultural and viceversa not only because it \u201cis never a question of music alone\u201d (as if \u201cmusic alone\u201d existed and might be represented in mere technical and specialized terms)
Sub-Saharan music results from the spoken language/instrumental language relation, directed by an o...
Music lives in every culture, yet most investigations into music are based on Western music and West...
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...
Today there are many approaches to music education reflecting many different beliefs about what is i...
Music is omnipresent in the cultural life of human societies and has most probably been so since our...
Music is an art which expresses human behaviour. Language is as well a medium of expression or commu...
Does the music that we know have a language-like semantics? I argue that mere agreement among audito...
The claim that music is language may be oft repeated, but it remains wholly unenlightening unless a ...
The definitions of music published in the last decades, particularly the one formulated by Alan Merr...
The relationship between music and language is frequently cited as mutually beneficial. Before the e...
Words and music are two distinct symbolic modes. Yet, as human ways of communication or forms of e...
Research process: The notion that Music functions as a ‘Language’ is often stated but without clear ...
Marxists regard works of art as meaningful, and look for political meanings in apparently non-politi...
A fundamental question that is currently hotly debated is: What does music share with language? Foc...
Many philosophers and music theorists have claimed that music is a language, though whether this is ...
Sub-Saharan music results from the spoken language/instrumental language relation, directed by an o...
Music lives in every culture, yet most investigations into music are based on Western music and West...
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...
Today there are many approaches to music education reflecting many different beliefs about what is i...
Music is omnipresent in the cultural life of human societies and has most probably been so since our...
Music is an art which expresses human behaviour. Language is as well a medium of expression or commu...
Does the music that we know have a language-like semantics? I argue that mere agreement among audito...
The claim that music is language may be oft repeated, but it remains wholly unenlightening unless a ...
The definitions of music published in the last decades, particularly the one formulated by Alan Merr...
The relationship between music and language is frequently cited as mutually beneficial. Before the e...
Words and music are two distinct symbolic modes. Yet, as human ways of communication or forms of e...
Research process: The notion that Music functions as a ‘Language’ is often stated but without clear ...
Marxists regard works of art as meaningful, and look for political meanings in apparently non-politi...
A fundamental question that is currently hotly debated is: What does music share with language? Foc...
Many philosophers and music theorists have claimed that music is a language, though whether this is ...
Sub-Saharan music results from the spoken language/instrumental language relation, directed by an o...
Music lives in every culture, yet most investigations into music are based on Western music and West...
'The Language of Electroacoustic Music' (Emmerson, 1986) has remained in print continuously since it...