The article examines Leoš Janáček’s knowledge of the music of four Russian composers (Rubinstein, Tchaikovsky, Musorgsky and Rebikov) may have influenced him and assesses the basis and extent of any discernible influence
Piano Sonata 1. X. 1905 highlights Leoš Janáček’s lifelong beliefs and goals. However, Janáček’s mos...
The article explores aspects of Russian musical criticism in early 20th century. Based on the critic...
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
The goal of my work is above all to point out the mutual interconnection of two Slavonic cultures in...
For cultural and political reasons, acceptance of music as a serious art form and recognition of mus...
This article deals with the reception of Chopin’s music in Russia during the second half of the nine...
The article focuses on Jacques Maritain's connections with various prominent Russian composers from ...
The paper discusses the materials related to the work of A. N. Rimsky-Korsakov (1878–1940, son of t...
This article examines the history of a unique piano, associated with Anton Rubinstein’s personality,...
Mstislav Rostropovich, the most famous cellist of the second half of the twentieth century, had a cl...
this article presents the small period of music development in Russian ballet theater, provides an a...
Pyotr Ilyich Tchaikovsky is arguably Russia\u27s most famous composer. Although his music is widespr...
As a culture, we often use music to accent events that would otherwise not need them. Many of these ...
The Twelve Transcendental Studies Op. 11 for solo piano by Russian composer Sergei Liapunov (1859–...
This article probes the musical relationship between Carl Nielsen and Leoš Janaček. Their mut...
Piano Sonata 1. X. 1905 highlights Leoš Janáček’s lifelong beliefs and goals. However, Janáček’s mos...
The article explores aspects of Russian musical criticism in early 20th century. Based on the critic...
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
The goal of my work is above all to point out the mutual interconnection of two Slavonic cultures in...
For cultural and political reasons, acceptance of music as a serious art form and recognition of mus...
This article deals with the reception of Chopin’s music in Russia during the second half of the nine...
The article focuses on Jacques Maritain's connections with various prominent Russian composers from ...
The paper discusses the materials related to the work of A. N. Rimsky-Korsakov (1878–1940, son of t...
This article examines the history of a unique piano, associated with Anton Rubinstein’s personality,...
Mstislav Rostropovich, the most famous cellist of the second half of the twentieth century, had a cl...
this article presents the small period of music development in Russian ballet theater, provides an a...
Pyotr Ilyich Tchaikovsky is arguably Russia\u27s most famous composer. Although his music is widespr...
As a culture, we often use music to accent events that would otherwise not need them. Many of these ...
The Twelve Transcendental Studies Op. 11 for solo piano by Russian composer Sergei Liapunov (1859–...
This article probes the musical relationship between Carl Nielsen and Leoš Janaček. Their mut...
Piano Sonata 1. X. 1905 highlights Leoš Janáček’s lifelong beliefs and goals. However, Janáček’s mos...
The article explores aspects of Russian musical criticism in early 20th century. Based on the critic...
This thesis is an investigation into the reception of Russian music in England for the period 1893-1...
DOI
Add to ORKG