This study uses a quantitative content analysis of learning competences – as described and prescribed in 21st century frameworks – and those competences evaluated by international assessments to explore the nexus between recommendation and reality. In drawing insights from the theoretical underpinnings of human capital theory we argue, with respect to creativity, that (i) there is a degree of alignment in the prescription and assessment of creativity as a learning competence and (ii) there is a divergence in the way the competence is discussed, which may account for the lack of acknowledgement as a key skill in preparing students for employment in the knowledge-based economy. These findings suggest a discrepancy between recommendation and r...
International audienceAlthough creativity is considered one of the key ‘twenty-first-century skills’,...
This article sets out reasons for arguing that creativity is not garnish to the roast of industry or...
Growth of creative capital and ever-burgeoning interest in the creativity phenomenon appear to have ...
International audienceCreativity Under Duress in Education? introduces a new framework—creativity un...
Recently, creativity has begun to be talked about as a twenty-first-century competency [UNESCO (Unit...
This article explores the pedagogical significance of recent shifts in scholarly attention away from...
One of the recent growth areas in tertiary education is the creative arts, now taught from undergrad...
This article considers the role of constructions of creativity in the classroom and their consequenc...
Creativity, innovation and entrepreneurship are recognized as crucial to foster an entrepreneurial c...
CREATIVITY: what might/his mean for art and art educators in the creative economies of globalisation...
How do we prepare gifted students to be leaders who can tackle the complex social, environmental, me...
Some workplaces offer employees opportunities to creatively use their own ideas while engaged in lea...
This book chapter discusses how creative industries graduates' employability skills and attributes a...
International audienceSome workplaces offer employees opportunities to creatively use their own idea...
One of the recent growth areas in tertiary education is the creative arts, now taught from undergrad...
International audienceAlthough creativity is considered one of the key ‘twenty-first-century skills’,...
This article sets out reasons for arguing that creativity is not garnish to the roast of industry or...
Growth of creative capital and ever-burgeoning interest in the creativity phenomenon appear to have ...
International audienceCreativity Under Duress in Education? introduces a new framework—creativity un...
Recently, creativity has begun to be talked about as a twenty-first-century competency [UNESCO (Unit...
This article explores the pedagogical significance of recent shifts in scholarly attention away from...
One of the recent growth areas in tertiary education is the creative arts, now taught from undergrad...
This article considers the role of constructions of creativity in the classroom and their consequenc...
Creativity, innovation and entrepreneurship are recognized as crucial to foster an entrepreneurial c...
CREATIVITY: what might/his mean for art and art educators in the creative economies of globalisation...
How do we prepare gifted students to be leaders who can tackle the complex social, environmental, me...
Some workplaces offer employees opportunities to creatively use their own ideas while engaged in lea...
This book chapter discusses how creative industries graduates' employability skills and attributes a...
International audienceSome workplaces offer employees opportunities to creatively use their own idea...
One of the recent growth areas in tertiary education is the creative arts, now taught from undergrad...
International audienceAlthough creativity is considered one of the key ‘twenty-first-century skills’,...
This article sets out reasons for arguing that creativity is not garnish to the roast of industry or...
Growth of creative capital and ever-burgeoning interest in the creativity phenomenon appear to have ...