This essay argues that Alton Locke (1850) by Charles Kingsley might be read as a response to a tension that emerged, in the nineteenth century, between the imperatives of political economy and medicine. The baggy, reference-laden nature of the novel offers a unique insight into the complex negotiations of what constitutes a narrative of hunger. These negotiations then form part of a discussion of the 'aesthetics' of hunger narratives, which became a central note in the statistical work of men like Edwin Chadwyck and William Farr. What Alton Locke suggests is that there is only an impure aesthetics of hunger; attempts to sanitise the issue by turning it into a series of facts and figures served only to make the matter worse
This chapter examines representations of power and powerlessness in nineteenth-century literary resp...
This essay explores the tropes and metaphors that make up the nineteenth-century literary and scient...
‘I always wanted you to admire my starving, ’ said the hunger-artist. ‘We do admire it, ‘said the ov...
This essay considers how literary and medical representations of hunger developed into an impure aes...
The Science of Starving is a reassessment of the languages and methodologies used, throughout the ni...
The 1840s witnessed widespread hunger and malnutrition at home and mass starvation in Ireland. And y...
Exhibiting formal characteristics of works published decades later, Knut Hamsun\u27s Hunger (1890) h...
Exhibiting formal characteristics of works published decades later, Knut Hamsun\u27s Hunger (1890) h...
Focusing on the influence of the Oxford Movement on key British poets of the nineteenth-century, thi...
As literary modernism was emerging in the late nineteenth and early twentieth centuries, a number of...
Hunger is a pervasive trope in Beckett's major works of the post-war period. This article examines t...
Working class people have continually found themselves in unfortunate conditions that they are unabl...
The aim of this article is to enumerate the main types of discourses in which the phenomenon of hung...
Much as Murphy (1938) insists that desire is a ‘closed system’ in which ‘the quantum of wantum does ...
In many works of modern fiction the theme of alienation is presented in terms of a spiritual hunger ...
This chapter examines representations of power and powerlessness in nineteenth-century literary resp...
This essay explores the tropes and metaphors that make up the nineteenth-century literary and scient...
‘I always wanted you to admire my starving, ’ said the hunger-artist. ‘We do admire it, ‘said the ov...
This essay considers how literary and medical representations of hunger developed into an impure aes...
The Science of Starving is a reassessment of the languages and methodologies used, throughout the ni...
The 1840s witnessed widespread hunger and malnutrition at home and mass starvation in Ireland. And y...
Exhibiting formal characteristics of works published decades later, Knut Hamsun\u27s Hunger (1890) h...
Exhibiting formal characteristics of works published decades later, Knut Hamsun\u27s Hunger (1890) h...
Focusing on the influence of the Oxford Movement on key British poets of the nineteenth-century, thi...
As literary modernism was emerging in the late nineteenth and early twentieth centuries, a number of...
Hunger is a pervasive trope in Beckett's major works of the post-war period. This article examines t...
Working class people have continually found themselves in unfortunate conditions that they are unabl...
The aim of this article is to enumerate the main types of discourses in which the phenomenon of hung...
Much as Murphy (1938) insists that desire is a ‘closed system’ in which ‘the quantum of wantum does ...
In many works of modern fiction the theme of alienation is presented in terms of a spiritual hunger ...
This chapter examines representations of power and powerlessness in nineteenth-century literary resp...
This essay explores the tropes and metaphors that make up the nineteenth-century literary and scient...
‘I always wanted you to admire my starving, ’ said the hunger-artist. ‘We do admire it, ‘said the ov...