In its Notice to stakeholders: withdrawal of the United Kingdom and EU rules in the field of copyright of March 2018, the European Commission indicated that one of the effects of the UK’s withdrawal from the EU is likely to be a reduced degree of reciprocity in the way collective management organisations operate. This article analyses reactions and current collaborative efforts produced by industry stakeholders facing an uncertain legal framework in the field of collective management of music copyright
Using examples drawn from the archives of the British Musicians' Union (MU), this article exami...
While the three functions of Collective Management Organisations - to licence use, monitor use, and ...
Egzistuojanti tarptautinė autorių ir gretutinių teisių kolektyvinio administravimo sistema yra parem...
The Max Planck Institute welcomes the initiative of the European Commission for a binding legal inst...
Collective management of copyright and related rights is an important element of the copyright syste...
This study examines the legal framework governing collective management in the field of copyright an...
Reflects on the controversies and conflicts associated with the collective management of music copyr...
In analysing the CRM Directive, this chapter explores and discusses the coming into being of the Dir...
This chapter gives an overview of the impact of digitization on the current activities of Collective...
Collective Management Organisations (CMOs) manage the various rights granted in copyright law to cre...
This paper examines the restructuring of online rights management that the E.U. Commission recently ...
Collective management organisations play an essential role in enabling the mass dissemination of con...
PhDEMBARGOED UNTIL 01/06/2014The management of music rights is currently carried out in a collective...
Copyright Collecting Societies have proliferated, with more than 150 organisations now collecting a...
While the three functions of Collective Management Organisations - to licence use, monitor use, and ...
Using examples drawn from the archives of the British Musicians' Union (MU), this article exami...
While the three functions of Collective Management Organisations - to licence use, monitor use, and ...
Egzistuojanti tarptautinė autorių ir gretutinių teisių kolektyvinio administravimo sistema yra parem...
The Max Planck Institute welcomes the initiative of the European Commission for a binding legal inst...
Collective management of copyright and related rights is an important element of the copyright syste...
This study examines the legal framework governing collective management in the field of copyright an...
Reflects on the controversies and conflicts associated with the collective management of music copyr...
In analysing the CRM Directive, this chapter explores and discusses the coming into being of the Dir...
This chapter gives an overview of the impact of digitization on the current activities of Collective...
Collective Management Organisations (CMOs) manage the various rights granted in copyright law to cre...
This paper examines the restructuring of online rights management that the E.U. Commission recently ...
Collective management organisations play an essential role in enabling the mass dissemination of con...
PhDEMBARGOED UNTIL 01/06/2014The management of music rights is currently carried out in a collective...
Copyright Collecting Societies have proliferated, with more than 150 organisations now collecting a...
While the three functions of Collective Management Organisations - to licence use, monitor use, and ...
Using examples drawn from the archives of the British Musicians' Union (MU), this article exami...
While the three functions of Collective Management Organisations - to licence use, monitor use, and ...
Egzistuojanti tarptautinė autorių ir gretutinių teisių kolektyvinio administravimo sistema yra parem...