The image of the laughing body recurs throughout the long history of modernist literature and film, appearing not only in comic and satirical works but also, surprisingly, in works that cannot be labeled as comedies at all. These images are often meditations on embodiment in which felt experience is juxtaposed with appearance. Analyzing this juxtaposition against the backdrop of the decline of the British Empire, this project argues that texts featuring these bodies constitute an archive of the ways that bodies are subject to and resist expectations about how bodies should look and feel within the emerging networks of nationalisms in the post-colonial Anglophone world. From visual poetry to novels that reimagine satire as “externalist art,”...
Modernism, Satire and the Fictions of Literary History examines the satirical practices of an array ...
Two philosophical positions seem evident in post-war American fiction: one realist, one anti-realis...
Melancholic Satires argues that eighteenth-century satires invite readers to become more aware that ...
The image of the laughing body recurs throughout the long history of modernist literature and film, ...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
The revival on the contemporary stage of long-established aesthetic categories inherited from the co...
This publication is with permission of the rights owner freely accessible due to an Alliance licence...
http://cas.univ-tlse2.fr/accueil-cas/activites/colloques/le-theatre-anglophone-contemporain-et-les-n...
Located within the emerging scholarship on religion and humour, as critically examined in chapter on...
This article focuses on Freud's account of joking in Jokes and Their Relation to the Unconscious (De...
Arguably, modernism is indebted to romantic aesthetics, notably to the postulate that all areas of r...
The Art of the Modernist Body explores the fraught relationship between corporeality and the genesis...
332 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.Through detailed analysis of ...
Modern humour appears to initiate the deconstruction of modern correspondence thinking. A close exam...
This dissertation offers an extended analysis of the modernist satiric practices of authors Djuna Ba...
Modernism, Satire and the Fictions of Literary History examines the satirical practices of an array ...
Two philosophical positions seem evident in post-war American fiction: one realist, one anti-realis...
Melancholic Satires argues that eighteenth-century satires invite readers to become more aware that ...
The image of the laughing body recurs throughout the long history of modernist literature and film, ...
Establishing a decisive nexus between gender, laughter, and media, this article not only critically ...
The revival on the contemporary stage of long-established aesthetic categories inherited from the co...
This publication is with permission of the rights owner freely accessible due to an Alliance licence...
http://cas.univ-tlse2.fr/accueil-cas/activites/colloques/le-theatre-anglophone-contemporain-et-les-n...
Located within the emerging scholarship on religion and humour, as critically examined in chapter on...
This article focuses on Freud's account of joking in Jokes and Their Relation to the Unconscious (De...
Arguably, modernism is indebted to romantic aesthetics, notably to the postulate that all areas of r...
The Art of the Modernist Body explores the fraught relationship between corporeality and the genesis...
332 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1998.Through detailed analysis of ...
Modern humour appears to initiate the deconstruction of modern correspondence thinking. A close exam...
This dissertation offers an extended analysis of the modernist satiric practices of authors Djuna Ba...
Modernism, Satire and the Fictions of Literary History examines the satirical practices of an array ...
Two philosophical positions seem evident in post-war American fiction: one realist, one anti-realis...
Melancholic Satires argues that eighteenth-century satires invite readers to become more aware that ...