The purpose of this thesis is to explore Iannis Xenakis’ work, Gmeeoorh for organ, based on the use of his compositional technique, arborescence, and also to offer new insights into the performance of avant-garde organ music by way of technical solutions to the extreme complexities and difficulties found in Gmeeoorh. It is also intended as a guideline to expand awareness of the organ repertoire of the late twentieth and twenty first centuries.Ope
abstract: The craft of improvisation at the organ has survived a long period of dormancy and is expe...
Whenever a new form or style of musical composition is introduced, of which our society has not been...
Thesis‘ aim is to analyze selected organ pieces of Olivier Messiaen with respect to compositional el...
The works of Iannis Xenakis combine the influences of mathematics, architecture and music. Xenakis v...
A study of the five works of Iannis Xenakis that involve the harpsichord, exploring the processes, h...
In this thesis, I examine the organ music of Olivier Messiaen both from the viewpoint of a theorist ...
6 Summary This diploma work is concerned with the analysis of four compositions for solo piano by Ia...
This article contains an analysis of Xenakis’s five works for harpsichord, and is the only detailed ...
Includes recorded audio files in WAV and MP3 formats, 42:49 in length.The evolution of the pipe orga...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
The organ solo works from Liège before 1750 are neglected today, but such works are fascinating from...
Xenakis’s first electroacoustic pieces (Diamorphoses, 1957; Concret PH, 1958; Analogique B, 1959; Or...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
Within the 20th century history of harpsichord music the five works of Iannis Xenakis take a disting...
The following thesis is made up of four original compositions written between February and September...
abstract: The craft of improvisation at the organ has survived a long period of dormancy and is expe...
Whenever a new form or style of musical composition is introduced, of which our society has not been...
Thesis‘ aim is to analyze selected organ pieces of Olivier Messiaen with respect to compositional el...
The works of Iannis Xenakis combine the influences of mathematics, architecture and music. Xenakis v...
A study of the five works of Iannis Xenakis that involve the harpsichord, exploring the processes, h...
In this thesis, I examine the organ music of Olivier Messiaen both from the viewpoint of a theorist ...
6 Summary This diploma work is concerned with the analysis of four compositions for solo piano by Ia...
This article contains an analysis of Xenakis’s five works for harpsichord, and is the only detailed ...
Includes recorded audio files in WAV and MP3 formats, 42:49 in length.The evolution of the pipe orga...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
The organ solo works from Liège before 1750 are neglected today, but such works are fascinating from...
Xenakis’s first electroacoustic pieces (Diamorphoses, 1957; Concret PH, 1958; Analogique B, 1959; Or...
Ten years after his death, Iannis Xenakis (1922–2001) is generally acknowledged as one of the most i...
Within the 20th century history of harpsichord music the five works of Iannis Xenakis take a disting...
The following thesis is made up of four original compositions written between February and September...
abstract: The craft of improvisation at the organ has survived a long period of dormancy and is expe...
Whenever a new form or style of musical composition is introduced, of which our society has not been...
Thesis‘ aim is to analyze selected organ pieces of Olivier Messiaen with respect to compositional el...